The Zone of Interest (2023)

• Year: 2023
• Released: 02 Feb 2024
• Country: United States, United Kingdom, Poland
• Adwords: Nominated for 5 Oscars. 46 wins & 159 nominations total
• IMDb: https://www.imdb.com/title/tt7160372/
• Rotten Tomatoes: https://www.rottentomatoes.com/m/the_zone_of_interest
• Metacritics:
• Available in: 720p, 1080p, 1080p
• Language: German, Polish, Yiddish
• MPA Rating: PG-13
• Genre: Drama, History, War
• Runtime: 105 min
• Writer: Martin Amis, Jonathan Glazer
• Director: Jonathan Glazer
• Cast: Christian Friedel, Sandra Hüller, Johann Karthaus
• Keywords: husband wife relationship, based on novel or book, nazi, concentration camp, holocaust (shoah), world war ii,

	7.8/10
	98/100
	93% – Critics
	78% – Audience

The Zone of Interest Storyline

In 1943, Rudolf Höss, commandant of the Auschwitz concentration camp, lives with his wife Hedwig and their five children in an idyllic home next to the camp. Höss takes the children out to swim and fish, and Hedwig spends time tending the garden. Servants handle chores and the prisoners’ belongings are given to the family. Beyond the garden wall, gunshots, shouting and sounds of trains and furnaces are audible. Höss approves the design of a new crematorium, which will soon become operational. Höss notices human remains in the river. He gets his children out of the water and sends a note to camp personnel, chastising them for their carelessness. It is implied that he has sexual relations with prisoners in his office. Meanwhile, a Polish girl who lives nearby sneaks out every night, hiding food at the prisoners’ work sites for them to find and eat. Höss receives word that he is being promoted to deputy inspector of all concentration camps and must relocate to Oranienburg, near Berlin. He objects to no avail and withholds the news from Hedwig for several days. Hedwig, deeply attached to their home, begs him to convince his superiors to let her and the children remain. The request is approved and Höss moves. Hedwig’s mother comes to stay but is horrified at the sight of the crematorium flames at night and departs, leaving behind a note that an irate Hedwig burns after reading. Months after arriving in Berlin, in recognition of his work, Höss is tasked with heading an operation named after him that will transport 700,000 Hungarian Jews to Auschwitz to be killed. This allows him to move back to Auschwitz and reunite with his family. He vacantly attends a party celebrating the operation and confesses to Hedwig over the phone that he spent his time there thinking about the most efficient way to gas the room. As Höss leaves his Berlin office descending a stairway, he stops and retches repeatedly and stares into the darkness. In the present day, a group of janitors clean the Auschwitz-Birkenau State Museum. Back in 1943, Höss proceeds downstairs.

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The Zone of Interest Movie Reviews

Gave Me Chills

This movie gave me the shivers in a big way.

I don’t even know how to articulate my thoughts on this film. I didn’t really think it was possible to show me a story about the Holocaust that felt like something I hadn’t already seen, but Jonathan Glazer manages to do just that with this film. I tried to read the Martin Amis novel this is based on and got almost all the way through it, but I bailed with about 50 or so pages to go. Just couldn’t force myself through that last bit. But I read enough of it to know that the film is a very loose adaptation. It’s more like Glazer took the general idea and then made his own story out of it.

I had just watched “All the Light We Cannot See” shortly before seeing this film, and I was so irritated in that series that the Nazis were all portrayed as such cartoonish villains. Every single one was a ghoulish monster who monologued while terrorizing whoever they happened to be in the room with. My problem with that is that it makes the Nazis look like aberrations rather than as normal people who were somehow brainwashed into thinking that what they were doing was on the right side of history, so it’s easy to dismiss the Holocaust as something that couldn’t happen again. But in “The Zone of Interest,” Glazer does the exact opposite. The Nazis in this are banal, ordinary people who tend their gardens, bicker about the things spouses bicker about, spend the day bathing in the river with their kids. It just so happens that literally outside their backyard is daily mass murder which they can conveniently ignore because it’s out of sight. We hear the screams, gunshots, the trains bringing in fresh batches of people to be slaughtered, but we don’t ever see it. The film creates a portrait of the most banal kind of evil, and it’s hard for me to get my head around it.

Christian Friedel and Sandra Huller give sensational performances as the commandant of Auschwitz and his pampered, spoiled wife. The film demands full attention from its audience, as frequently the most important thing happening on screen is happening in the background, or up in the far corner of the frame. We’ll see a column of crematorium smoke hovering in the distance, or see some hazy ash floating by as the Nazis wander around their flower garden that they’re so proud of.

In the film’s final moments, we get a glimpse of what might be a conscience in the commandant, a hint that he might not be as utterly indifferent to what he’s doing as he appears throughout the rest of the film. It’s a haunting scene to cap off a haunting movie.

And can I just say that reading about the making of this film makes it all the more impressive. Everything happening on the other side of the concentration camp wall is visual effects projected onto green screens. Now those are the kinds of special effects that really impress me.

Grade: A.

Impactful but drawn out

The Zone of Interest takes a unique angle in approaching the Holocaust. Certainly an angle I haven’t seen before in a film. This different approach gives the film a really sinister quality that frames the evils of the Holocaust in a new and terrifying way.

It achieves this approach through stark juxtaposition. It compares the relatively banal, matter-of-fact homemaking of the Hoss family against the utterly horrendous tragedy being perpetrated just over their garden wall. By doing this, it is not an overly graphic or in your face film. Instead, the violence and evil is primarily heard and not seen, as the horrifying sounds of the camp constantly bleed into the Hoss family home. It is in this way that the film makes its mark. To have such tragedy and horror ignored by this family and their guests. To normalise the mass murder over the garden wall. The glib and matter of fact way it is treated by them all. That is where the horror lies.

Whilst this is all a very effective way of framing the horrors of the Holocaust, I do think this film lacks any storytelling merit. There is no real plot to speak of, so once the point the film is making has been made it is easy to want it to be over so as not to sit with these evil characters and horrendous events for too long.

Then again it is a tricky point because I think this is definitely a story worth telling. Looking at the Holocaust from this angle to understand how normalised it became to certain people is vital to reflect on, but I’m not sure if a feature film was necessary to convey this.

So overall, I thoroughly appreciate what this film was doing and the angle it took. The direction is class in creating this juxtaposition and drilling this point home, but beyond it’s core message there is nothing in this film to get stuck into. No real plot. No characters you want to understand or connect with. As a result it feels like it overextended itself as a film, but delivers it’s message nonetheless.

Life near Auschwitz, told in hushed tones

This incandescent film portrays the idyllic life that the family of Nazi commandant Rudolf Hoss enjoyed in a sumptuous house right next to the concentration camp in Auschwitz right in the middle of the Holocaust. There is very little soundtrack and it all unfolds at a deliberate pace that is in keeping with Jonathan Glazer’s slow-burn, disquieting style. A rigorous sense of order and calm is prevalent throughout.

We never actually see any of the Holocaust taking place even though it’s right next door. The barbarism and butchery are only apparent from the screams in the distance or from fires at night or smoke during the daytime. The pristine, lush surroundings of this family bely the mass extermination that is taking place in the immediate vicinity. It’s a masterful work in which conveys horrible events by leaving them to the imagination.

A repeat viewing might be helpful as subtitles in this film are sometimes rapid-fire. But overall, this is an extraordinary and memorable film from start to finish. Recommended to everyone, without exception.