Carmen (2022)

• Year: 2022
• Released: 14 Jun 2023
• Country: Australia, France
• Adwords: 2 nominations
• IMDb: https://www.imdb.com/title/tt6875952/
• Rotten Tomatoes: https://www.rottentomatoes.com/m/carmen_2
• Metacritics:
• Available in: 720p, 1080p,
• Language: English, Spanish
• MPA Rating: R
• Genre: Drama, Musical
• Runtime: 116 min
• Writer: Loïc Barrere, Alexander Dinelaris, Lisa Loomer
• Director: Benjamin Millepied
• Cast: Paul Mescal, Elsa Pataky, Melissa Barrera
• Keywords: based on novel or book, usa–mexico border,

	5.9/10
	58/100

Carmen Storyline

To escape a murderous cartel, the captivating young Carmen (Melissa Barrera) is northbound, her route traversing an area patrolled by the US government and fanatical Americans who hunt people for sport. Mixed into the horde is local veteran Aidan (Paul Mescal), dragged into the ignoble mission as a means of earning money for his impoverished family. Soon, the star-crossed sweethearts intersect and, with hearts leading the way, take the wheel with Los Angeles on the horizon. Carmen’s goal is to seek refuge in a nightclub run by an infamous family friend named Masilda (Rossy de Palma) and bartender Gabrielle (Elsa Pataky). But as the song goes, l’amour est un oiseau rebelle — and perhaps love may not be enough when the laws of physics and men aren’t far behind.

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Carmen Movie Reviews

CARMEN: THE BORDERLANDS, SOMEWHERE IN OZ

Carmen (2022) directed by Benjamin Millepied, retakes the original 1845 French novel plus references 1954 Carmen Jones film, and not the opera narrative. Dance forms becomes the centrepiece of an unsure love story.

It takes liberty to reinterpret the original setting to the U. S./Mexico border, supposed to be set in the Northern Mexican states. Actually it’s Oz, the Australian landscape passing for Mexican desert scenery.

Although the film’s intent to depict borderlands culture via Oz’s landscape, there’s odd cultural references like a repeated image of the Chilean Virgin Mary (Lady of Grace), in place of the Mexican Virgen de Guadalupe icon.

Carmen, helmed by Mexican actor, Melissa Barrera and Aidan helmed by Irish actor, Paul Mescal meet under certain circumstances: undocumented crossings (Carmen entering the U. S.) and paramilitary border patrolling (Aidan, retired Marine as a patrol volunteer). Their climatic interaction begins there as they flee together to “ciudad de los angeles” (L. A.).

Many scenes can suggest magical realism or surreal situations. There’s some weak writing, with a contribution by Broadway’s Alexander Dinelaris, but its strength is the dancing.

Millepied’s background as a dancer, support the beautiful choreography that’s a lot superior than the noted film, “La La Land”. Unlike the prior, Carmen references the social reality of U. S. immigration policies and urban decay.

Dance scenes are breathtaking and employ Iberian and Latin American traditions from Flamenco to Tango. There’s even a nod to L. A. contemporary urban dance forms like “Crumping”.

The presence of Rossy de Palma, from Spanish cinematic royalty, cements a mystical creature as Carmen’s aunt. She is a storyteller, recording Carmen’s struggles as well as her love for Aidan.

At the end of the film, viewers navigate through muddled, slow burning action but it’s worth it for the dancing and de Palma’s acting. Its soundtrack has original compositions by Mexican musicians like Julieta Venegas and historic borderland ballads by Lydia Mendoza!

Disappointing

I had high hopes for this feature. I’m a ballet and opera fan and am familiar with Benjamin Millepede. Unfortunately this was a sometimes excruciatingly slow movie to watch. There were some highly stylized scenes that were memorable..most of them were not. The scenes for the most part did not hang together to form a whole storyline. I would have liked to have known the 2 lead characters and their back story but that wasn’t really presented. The film did not engage me…I found myself looking at my phone and wanting to know when the movie would end. I will say that I have walked out of a very few movies before they ended but I did stay for the ending of this film so that is something.

EXTRAORDINARY !!!

Benjamin Millepied is a Filmaker. The three lead characters are fabulous. Melissa Barrera, she can sing, she can dance and she’s able to embody a character. Paul mescal in a different kind of character we used to know him : a TOUGH guy (soldier)… I’m glad a director was visionnary enough, to explore the captivating charisma of Rossy de Palma. The dance sequences are fascinating, i love seeing the differents slow-motion used during the whole movie to bring a unique tone to this picture… Marvelous i am pleasantly surprised, and for the future i want to see more pictures signed by Benjamin Millepied.