Knights of the Zodiac (2023)

• Year: 2023
• Released: 12 May 2023
• Country: United States, Japan, Hungary
• Adwords: N/A
• IMDb: https://www.imdb.com/title/tt6528290/
• Rotten Tomatoes: https://www.rottentomatoes.com/m/knights_of_the_zodiac
• Metacritics: https://www.metacritic.com/movie/knights-of-the-zodiac
• Available in: 720p, 1080p, 2160p
• Language: English
• MPA Rating: PG-13
• Genre: Action, Adventure, Drama
• Runtime: 112 min
• Writer: Josh Campbell, Matt Stuecken, Kiel Murray
• Director: Tomasz Baginski
• Cast: Mackenyu, Famke Janssen, Madison Iseman
• Keywords: superhero, based on manga, live action anime,

	4.4/10
	35/100
	23% – Critics
	61% – Audience

Knights of the Zodiac Storyline

Produced by Toei Animation and based on the international anime sensation, Knights of the Zodiac brings the Saint Seiya saga to the big screen in live-action for the first time. Seiya (Mackenyu), a headstrong street teen, spends his time fighting for cash while he searches for his abducted sister. When one of his fights unwittingly taps into mystical powers he never knew he had, Seiya finds himself thrust into a world of warring saints, ancient magical training and a reincarnated goddess who needs his protection. If he’s to survive, he will need to embrace his destiny and sacrifice everything to take his rightful place among the Knights of the Zodiac.—Sony Pictures

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Knights of the Zodiac Movie Reviews

It doesn’t suck, but it’s not good. And It’s not really Saint Seiya, either.

A Saint Seiya fan since 1991, I knew going in that this movie would differ from the source material. The trailers were clear enough. A faithful adaptation, I did not expect. But maybe there was a decent film in there, with some elements of the original manga/anime. While not a trainwreck, a good movie this is not.

So how much does it stray? Well, there *are* some callbacks to the original IP. A few notes in the musical score, taken straight from the anime soundtrack. Some visuals that made my heart skip a beat, including the very first, somewhat misleading scene. They are all too few, though. This is not the Saint Seiya we grew up with.

The armors are way too different – and not particularly appealing. The fighting scenes, heavy in martial arts, guns, and military vehicles, are not what the original series was all about. Hard to tap into nostalgia when you turn your back on 90% of what people liked in the first place. But again, the main trouble lies in the story.

It’s bland. The characters are poorly written. Their arcs, poorly developed. Key scenes late in the movie are laughable, including some that were supposed to be poignant. It’s not altogether surprising: rather than adapt the 80’s masterpiece, this movie is based on the more recent Netflix adaptation, which flopped commercially and critically.

The film’s about a young man struggling to accept his destiny as a knight while spouting that nobody’s fate is predetermined and the reincarnated goddess he’s supposed to protect, a spunky young girl who lived in fear of being unable to control her immense power, in a rehash of the (also poorly adapted) Dark Phoenix saga from the X-Men.

It feels all-too familiar, especially with Famke Janssen (Jean Grey in the X-Men movies) overlooking the action as the movie’s antagonist. There’s also Sean Bean (LOTR, GOT, etc.) and Marc Dacascos (Crying Freeman, John Wick 3) in there, but everyone’s acting is flat throughout. Hard to shine with the run of the mill story and dialogue.

As for newer faces, Mackenyu looks the part, but there’s something lacking. You feel he may have done a better job with more decent lines. Madison Iseman as Sienna showed some charisma, but she too fell victim to the plot holes and inconsistent behavior that plague her and all the other characters.

Could the sequel, with the expected introduction of some key characters, come closer to evoking the thrills the original story did? Perhaps, but I doubt they’ll get the chance to do so after botching the launch of what was expected to be a multi-picture saga. Then again, I’m not confident this creative team could have done a good job at it.

No, this is not Dragonball Evolution. The glimpses – teases, really – we get of the original Saint Seiya hint at what could have been a great film. The action scenes are well-choreographed and the main two characters, sympathetic enough. It’s all 100% watchable, but nobody’s recommending it to anyone, and it will be forgotten soon.

It’s a shame. You had some great source material. You could have gotten an awesome movie out of it. Why the lack of faith in it? I came away disappointed and suspect many others will, as well. You want to like or at least enjoy it, but you just end up frustrated at the missed opportunity.

(+) A select few callbacks to the original manga and anime, particularly at the very beginning, in the training scenes, and for a few seconds in the movie’s climax. Some actions scenes are decent, albeit heavy in martial arts.

(-) Spotty plot. Lousy third act. Bland characters and storylines taken straight from Netflix’s poorly received adaptation. Movie really strays from the source material to tell a rather unoriginal story – and tell it poorly, to boot.

No heart ?

In today’s cinema, the lack of creativity is replaced by CGI. Sure, a movie like this should have special effects, but without an engaging story, decent acting, or interesting character development, we get an empty case.

The Knights of the Zodiac protecting Athena and fighting evil with Kung Fu parkour and slow motion capoeira throughout the entire movie. Bad.

Between the average performances and a flat story, you won’t give a penny for any character. Bad.

In short, nothing new or different from Disney / Marvel movies with a ton of special effects and hype but no heart, I don’t recommend it but everyone chooses their poison, I lost interest after 50 minutes, just bad.

They tried…and overreached.

Having not read the manga on which this is based, I can only judge this as a film. And the reasons to see it are for the hand-to-hand combat scenes (which are well-shot and full of energy) and for the few satisfying moments of personal redemption and self-forgiveness sprinkled throughout.

Sadly these positives are few and far between, and the movie is too often bogged down by dialogue that’s inhuman and stilted, a plot that’s somehow generic and excessively convoluted, and visual effects that are laughably underfunded and unfinished.

The cast is full of capable supporting actors who aren’t helped by the unintentionally funny script nor by the charisma-free lead actor.

Lastly, the movie takes itself far too seriously, and this makes the goofy stuff hard to watch rather than campy and enjoyable.

It had the pieces to be good, but it just dropped too many of them to work.