- Year: 2023
- Released: 25 Dec 2023
- Country: United States, United Kingdom, Italy, China
- Adwords: 2 wins & 11 nominations
- IMDb: https://www.imdb.com/title/tt3758542/
- Rotten Tomatoes: https://www.rottentomatoes.com/m/ferrari
- Metacritics:
- Available in: 720p, 1080p, 1080p
- Language: English
- MPA Rating: R
- Genre: Biography, Drama, History
- Runtime: 124 min
- Writer: Troy Kennedy Martin, Brock Yates
- Director: Michael Mann
- Cast: Adam Driver, Shailene Woodley, Giuseppe Festinese
- Keywords: husband wife relationship, biography, based on true story, racing, 1950s, cars,
6.7/10 |
Ferrari Storyline
Set during the summer of 1957. Ex-racecar driver, Ferrari, is in crisis. Bankruptcy stalks the company he and his wife, Laura, built from nothing ten years earlier. Their tempestuous marriage struggles with the mourning for one son and the acknowledgement of another. He decides to counter his losses by rolling the dice on one race – 1,000 miles across Italy, the iconic Mille Miglia.—Deadline Hollywood
Ferrari Photos
Ferrari Torrents Download
720p | web | 1.17 GB | magnet:?xt=urn:btih:07CF5AF1F57D3E71465942FAFC92C8166A592ACF | |
1080p | web | 2.41 GB | magnet:?xt=urn:btih:A535FFA4FFA100FD8855664CADC5983CBB8B36E0 | |
1080p | web | 2.18 GB | magnet:?xt=urn:btih:D7BC04977E5AE990A66B2311CB80CD2EE04472F2 |
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Ferrari Movie Reviews
Very disappointing
This felt sadly dreadful to me, for the most part. Ferrari is a film where it feels like very few people involved cared about what they were making. On paper, the idea to focus on one brief period of time was a good one, rather than trying to capture a single figure’s life story. Adam Driver is probably my favorite actor who’s risen to prominence since 2010, and Michael Mann’s a filmmaker whose work I generally enjoy. The idea of them teaming up to make a movie sounded promising, but the execution here was just lifeless and strangely amateur.
Much of the film’s shot with a floaty, aimless camera that frames things strangely in an attempt to look unique, or because of simple incompetence; the way it sometimes shakes and drifts or zooms in and out seemingly by accident. The fact some scenes abruptly end and other scenes just linger for what feels like forever. I hated the way this looked and felt. I have no idea what Mann’s going for here, or if he’s simply lost his touch as a filmmaker.
Actors look either confused or bored – sometimes both – for the entire film. I have no idea what I’m supposed to care about when it comes to Enzo Ferrari as a figure. Maybe Adam Driver captured his essence well, but if so, his essence is boring and I don’t know why they made a film about him. There’s no real pacing or engaging build in the narrative, actors mumble their lines, and the dialogue I could make out tended to sound weirdly uninspired. Penelope Cruz felt like she was done particularly dirty by the lackluster material she was given to work with. It just felt like one boring scene after one boring scene after another boring scene.
The final act is watchable and saves the film from being an outright failure. Ferrari has a stupidly high budget, but I think much of it went into capturing some of those fairly stunning race sequences. Everything else was so dull, lifeless, directionless, and shockingly amateur, though. It’s a surprising mess of a film.
Could have been a lot better
For a film helmed by Michael Mann and starring Adam Driver and Penelope Cruz, I was expecting a lot more from this.
By the end, I didn’t feel like I was much closer to Enzo Ferrari or his wife. I didn’t come away with much more of an understanding or appreciation of the racing element. I didn’t feel overly thrilled or engaged.
This all sounds a bit negative, but that’s not to say there aren’t positives to this film. Adam Driver and Penelope Cruz are really strong, even if they don’t peel back the layers of the characters enough for me. However this is more of a criticism of the script than the performances. The racing scenes are well executed although could be a little more exciting and perhaps even shot a little better. Speaking of the direction, it is fine but I think there was potential to really get creative and design some thrilling set pieces. It probably didn’t help that the pacing of this film was totally off, feeling much longer than it actually is, which reduced the impact of some of these scenes.
Overall I think this is a film of what could have been. There’s an interesting story and an interesting man at the heart of all of this, but it just wasn’t teased out enough.
Nice mixture of car racing and family drama can entertain assortment of viewers. Beforehand I was afraid that car racing would use up most running time, but I stand corrected
Saw this at the 2023 filmfestival Ghant (Belgium). Obviously, the main topic is cars and car races, but there is also a mixture of family drama (illegitimate son versus son of current wife who thus gave him an alternative heir, woman with money prepared to invest, and so on) to make it compatible for family viewing. Actually, you can consider it two films, nicely intermixed with another. The car race fans will find plenty to watch, and the rest of the film moves the family story forward. Implicitly we know that the story ends well; this is no spoiler, given that the name Ferrari still exists as a car brand.
Nice details in abundance. Drivers can have girlfriends who either distract or stimulate. When drivers bring their girlfriends along, the press tends to ignore the cars and focus on the women, to the dismay of Ferrari. He asks a journalist to bring a rumor in the world, letting him also mention in the same article that he firmly denies it, playing the cards for a business deal. And there is his wife with independent means and lots of money to spare, who has her own set of requirements when willing to invest in the company.
All in all, I did not regret booking tickets, although I feared beforehand that car races would be the main course on the menu. My fears were unjustified. There is ample family and relational drama to keep everyone’s attention, and the car races do not distract but enhance the experience.