The Shack (2017)

6.2/10
32/100
21% – Critics
76% – Audience

The Shack Storyline

Mackenzie “Mack” Phillips suffered physical and emotional abuse as a child at the hands of his drunken father. He witnessed similar abuse of his mother as well. There is the implication that as a 13-year-old boy he planned to poison his father with strychnine, although it is never made clear whether he proceeded with this or how it was resolved. A lack of any subsequent guilt ascribed to it suggests that it was not carried out. As an adult he has a fulfilling life with his wife, Nan, and their three children–Kate, Josh and Missy. Mack’s life is shattered, however, when their youngest child Missy disappears during a camping trip while he is saving Kate and Josh during a canoeing accident. The police determine Missy is the victim of a serial killer after finding her torn dress and blood in a vacant cabin. Kate blames herself for Missy’s death because of her own reckless behavior in causing the canoe accident in the first place. The tragedy derails Mack’s faith and life until the onset of winter when he receives an unstamped, typewritten note in his mailbox. The surrounding snow is devoid of any incriminating tracks. The message is signed “Papa” (which was Nan’s nickname for God) and invites him to meet at the cabin.

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The Shack Movie Reviews

looking for answers

Okay, I liked it. I don’t call myself a Christian. I was raised Catholic but I don’t practice.

Just because someone isn’t a Christian or a fundamentalist Christian or whatever else there is doesn’t mean this is a bad film. If you’re a spiritual person, much that is in this movie rings true.

I liked the performances from Sam Worthington, Octavia Spencer, and the rest of the cast.

A very touching story of a man in great pain looking for answers. And there are plenty of them around today.

One Of The Better Christian Movies I’ve Come Across

I’m not really a huge fan of most “Christian” movies. I say that as a Christian and as a pastor. But for the most part I find them formulaic to the point of boring and usually badly (even horrendously) acted. And usually the more seriously they try to take themselves the worse they end up being. So I confess that I had very low expectations of “The Shack.” I watched it because my wife wanted to watch it. She had read the book (I’ve not bothered with it either – for no particular reason) and wanted to see the film adaptation. Well, I watched it with her and I was pleasantly surprised. All in all, I thought this was a pretty well done movie and an interesting story.

First, I thought that Sam Worthington did a great job playing Mackenzie. Abused – and watching his mother be abused – by an alcoholic father as a child, Mackenzie grew up and managed to become a pretty good dad to his three children. Then tragedy strikes. On a camping trip his youngest daughter is kidnapped and murdered (and presumably raped – this was never said but was certainly implied.) Mackenzie and his family are devastated, of course. Mackenzie becomes depressed and angry. He had had a distant faith before all this happened, but it was destroyed by the events. Then one day he receives an invitation to go to the shack where his murdered daughter was taken by the kidnapper. Not knowing what – or who – to expect there, he goes, and begins a journey of discovery and healing when he finds himself in the company of God – the Holy Trinity. Father, Son and Holy Spirit are all there.

It’s an interesting portrayal of God. The Father (Papa, as God is known in Mackenzie’s family) was played by Octavia Spencer. Apparently this was criticized by some who couldn’t stand the idea of God being black. Or a woman. Or a black woman. Whatever. The point was that this was an image of God Mackenzie would be comfortable with. And God was very comfortable – admittedly almost too comfortable at times, although in the end Mackenzie is forced to confront some painful things before his healing can start. Certainly, though, it’s a very “touchy, feely” portrayal of God that some might be uncomfortable with. I thought, though, that it provided an image of a very tender God who stands with his children and never abandons them – even though they sometimes feel abandoned. And it raises a lot of the difficult theological questions that all of us grapple with. The presence and the power of evil; God’s role in evil; issues of judgement and forgiveness. They’re all there. I wouldn’t say that it’s an entirely orthodox portrayal of God by any means. And, yes, to acknowledge one of the main theological criticisms the story received from a lot of Christian circles – it does have a universalist tinge to it for those who are offended by that theological viewpoint. (I would say that I’m not a universalist – because being a universalist is itself being judgemental – but I’m open to the possibility that God might be – so that didn’t really bother me.) I did like the fact that the Father in one scene switches from a black woman to an older male for scenes where Mackenzie needed a real “father figure.” I enjoyed the playfulness of Jesus (Avraham Aviv Alush) and the gentleness of Sarayu (the Holy Spirit.) It was really a very warm and comforting image of God.

It’s not going to be to everyone’s taste – and, being an overtly Christian, faith-based movie – it’s going to push a lot of people to the extreme ends of the “loved it/hated it” spectrum. I’m not sure I got as far as loving it – but I did enjoy it very much. (8/10)

with it for the first hour

Mack Phillips (Sam Worthington) grew up under a drunken abusive father who hides his violence using religion. Mack is married to religious Nan (Radha Mitchell) with three kids. Willie (Tim McGraw) is his best friend. His religious doubts are pushed to the limits when his youngest Missy goes missing. A child killer is suspected and evidence leads to a rundown shack. Missy is assumed killed and his family is shattered. Then he gets a mysterious letter from papa inviting him to the shack. There he meets Papa (Octavia Spencer), Jesus, and Sarayu as well as others such as Sophia (Alice Braga) and Male Papa (Graham Greene).

I bought into most of the first hour as a kind of modified biblical Job story. While it’s nothing special, it does seem like it’s building up to something better and more poignant. Then the movie goes on for over another hour and it’s a slough. We’re stuck with sad sack Sam Worthington and the magical black character. It becomes a lot of religious psychobabble and melodramatic tea service. The story should climax to a poignant and enlightening resolution. Instead, it rambles on and on endlessly. Even walking on water leaves one bored to death. It might be filled with religious significance and debate but it’s done in a terribly boring way. As an aside, I would change the name Mackenzie Phillips or just simply use Mack as Mack. It’s a little odd to use Mackenzie Phillips. It’s like using John Wayne but make no references to John Wayne.