Fifty Shades of Grey (2015)

4.1/10
46/100
25% – Critics
41% – Audience

Fifty Shades of Grey Storyline

In Washington, the shy and naive English literature college student Anastasia “Ana” Steele goes to Seattle to interview the twenty-seven year-old self-made billionaire Christian Grey in his office to help her roommate Kate Kavanagh that is graduating in journalism and has influenza. When Ana meets Christian, she feels disturbed with him since he is handsome and self-confident. Soon he visits her at the hardware store where she works and invites Ana for a coffee, but he leaves her telling that he is not the man for her. On the graduation day, Christian sends first editions of romances to Ana as a gift. After the graduation, Ana, Kate and their friends go to a bar and Ana drinks too much. She calls Christian and tells that she will return the books since they are expensive and he goes to the bar and brings Ana to his hotel room. Christian dates Ana and offers a non-disclosure agreement to her to keep in secret their relationship. Ana does not sign the contract but loses her virginity with Christian that wants to introduce her in bondage since he is a dominant sadist. However Ana is seeking a romance and not sadomasochist relationship. Will they stay together?

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Fifty Shades of Grey Movie Reviews

If everyone hates the film and it has a 4.1….why did it make so much money?!

I never had any intention of watching “Fifty Shades of Grey”…none. However, when IMDB recently revamped their Bottom 100 List and I saw the movie was now on the list, I felt I had to see it. After all, I constantly am checking out the list to see what new additions there are so I can watch them. I do occasionally like seeing a bad movie…they can be very entertaining and unintentionally funny. Now “Fifty Shades” is very different from any other film on the list (with the exception of “The Last Airbender”) in that it WAS a mega-hit and lots of people liked it…though at the same time its score of 4.1 on IMDB is anemic….making it a love-hate sort of picture.

Anastasia Steele (great name, huh?) is a dim sort of lady….and I’m sorry but there’s no better way to describe her accurately. When she goes to interview a big-shot businessman, Christian Grey, she has no idea what she’s doing, hasn’t prepared in the least and asks him only banal questions. She seemed rather dull and with little personality and it was difficult to see what he saw in her. Yet, despite this, inexplicably Grey is now obsessed with her. In some ways, he seems like a nice guy–such as coming to her aid when she’s drunk in a dance club soon after this meeting. But in many, he gives so many signs that he’s not normal in the least…and rather creepy and possibly very dangerous. He’s incredibly controlling and in response to her getting drunk he says “If you were mine, you wouldn’t be able to sit down for a week”. In other words, for getting drunk and behaving stupidly, he’d paddle the crap out of her! He then has her sign a non-disclosure agreement–saying she’ll never tell anyone about him!! Soon, they are embarking on a weird S&M relationship…and that’s when the film shows a lot of nekkidness, though it’s of the soft-core variety. But he is clear…this is NOT love and he doesn’t want to be close to anyone…and he doesn’t even want to actually sleep with her…just have his way with her.

What I find so bizarre about the whole “Fifty Shades” phenomenon is that in the 21st century, the actions of BOTH Anastasia and Christian are the exact opposite of what society is telling us folks should be like or what romance should be. There really ISN’T any romance…and he doesn’t want to date her. It’s not so much just the S&M aspects that I found bothersome…it’s more that you have a man who dominates a woman and controls her and she is passive and does whatever he says. Her needs are also not particularly important and he wants to control every aspect of her life and breaks into her apartment when she isn’t home. This is NOT the feminist idea of today…at least not what folks SAY they want in a relationship. I simply do not understand this dichotomy…nor why folks loved the books and films…yet also claim to hate them! I also worry that a film like this could set the stage for date rapes, as here in the film it’s supposed to be romantic…but in real life, it could get you imprisoned. Weird.

So although I found the message strange and possibly dangerous and the writing occasionally silly, what about the techincal aspects of the movie? The movie is very polished–with lovely and very appropriate music, excellent cinematography and is very artistic. For this reason alone, although I didn’t like or respect the message, the film deserves more than a few stars on IMDB.

I should add that although the film features a lot of nudity, I really didn’t find it all that exciting to watch…mostly because the film was just creepy. It also didn’t come off as sexy….just creepy. And, it probably would NOT be a great date night film…as your date might think you are…just creepy. Watch it if you’d like…I just didn’t particular enjoy it nor understand WHY it made so much money…I just found it, believe it or not, to be rather dull.

Two minor pros far outweighed by several massive cons

Hopefully, as a heterosexual female student in her twenties with a love of film that spreads across all genres and decades, this will come over as a fair assessment of a film that genuinely did nothing for me.

Have not read the books, though have heard conflicting opinions that has mostly been intense dislike. The reason for watching ‘Fifty Shades of Grey’ was not due to wanting to hate on it, being a negative person, curiosity but for the reason of being at a film night with friends recently and ‘Fifty Shades of Grey’ happened to be the film choice. Just for the record, the general consensus ranged from indifference to hating it with a passion.

There are two minor pros. The best thing about ‘Fifty Shades of Grey’ is most of the beguiling soundtrack, that has a soothing nostalgia and appropriately amorous quality, this is all for the song choices though. ‘Fifty Shades of Grey’ also looks good, nice use of scenery and very nicely shot.

On the other hand, Danny Elfman’s score is one-note and repetitive, as well as too derivative of his recent work. He has composed some wonderful stuff (‘Edward Scissorhands’ is magical) but this is really not his best work. The direction has slickness but overall is too mannered which really affects the film’s tone and pacing.

Regarding the acting, none of the supporting cast are of note, including Marcia Gay Harden, but a larger issue is the two leads and their complete lack of chemistry. Understated can be a lovely quality to acting, as long as it also becomes nuanced and with believability given to the dialogue. Dakota Johnson, especially in the first third, is too understated that it feels more like there is a lack of personality or emotion. Jamie Dornan looks uncomfortable throughout, delivers his cringe-worthy lines awkwardly and is just bland as dishwater with no charisma whatsoever. Chemistry is non-existent.

‘Fifty Shades of Grey’s’ dialogue does them absolutely no favours, dialogue so bad that absolutely nobody (even the best actors and actresses) can do anything with it. It causes unintentional laughter throughout, is embarrassingly clunky and is pure smut. Then there is the story that is so thin structurally, heavy in repetition, so badly plodding and without style or atmosphere that the film feels twice as long, with the sexual elements done far too tamely and the BDSM portrayal deceitful. None of the characters are engaging or interesting, practically ciphers.

All in all, a very poor film with two minor pros and the rest of the film massively flawed. 2/10 Bethany Cox

Who thought this was a good idea?

FIFTY SHADES OF GREY is a film every bit as bad as you’ve heard. The screen adaptation of the best-selling erotic novel exploring the topic of bondage, you can tell this started out as a piece of Internet fan fiction, based on the TWILIGHT saga, that became inexplicably popular. It’s like a cheesy Mills & Boon romance with some unexpectedly dark subject matter involving violence against women, and yet some women seem to get a kick out of this. I don’t see why.

As a film, this is a dog. Badly-scripted by someone with a tin ear for natural-sounding dialogue, and with embarrassingly wooden performances from the two leads. The much-hyped sex scenes feature extensive nudity and lots of athletic moments, but not once is any of it erotic or appealing. Instead it feels cheap, tawdry, and rather sleazy. I can’t believe they’ve made sequels, either.