After Death (2023)

• Year: 2023
• Released: 27 Oct 2023
• Country: United States
• Adwords: 1 nomination
• IMDb: https://www.imdb.com/title/tt21191906/
• Rotten Tomatoes: https://www.rottentomatoes.com/m/after_death
• Metacritics:
• Available in: 720p, 1080p, 1080p
• Language: English
• MPA Rating: PG-13
• Genre: Documentary
• Runtime: 108 min
• Writer: Stephen Gray
• Director: Stephen Gray, Chris Radtke
• Cast: Dale Black, Dean Braxton, John Burke
• Keywords: suicide, afterlife, faith, psychology, docudrama, death,

	6.2/10
	50% – Critics
	87% – Audience

After Death Storyline

After Death is a gripping feature film that explores the afterlife based on real near-death experiences, conveyed by scientists, authors, and survivors. From the New York Times bestselling authors who brought you titles like 90 Minutes in Heaven, Imagine Heaven, and To Heaven and Back, emerges a cinematic peek beyond the veil that examines the spiritual and scientific dimensions of mortality, inviting viewers to contemplate the possibility of life after death.—Angel Studios

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After Death Movie Reviews

A movie for Christians by Christians

This movie seriously misses the mark in trying to be a convincing proselytising tool to get unbelievers to convert to Christianity. As a Christian married to an atheist, time and again, Christian films are inadvertently made to make the Christian who brings a non-Christian to see the film feel warm and fuzzy, while being wholy unconvincing to non-Christians.

It was my athiest husband who reserved tickets to this film, not me. As I assumed, he walked out after the end of the film thinking they were all liars. I don’t blame him. The film was disjointed and glossed over a lot of science.

For example, a woman has surgery but they supposedly purposely had her dead on the operating table for an hour? How did they do that? How did they know she’d have a near death experience or that she’d comeback? They drained her blood and did some sort of brain surgery? As far as I know, a patient is awake during brain surgery so that they can gauge how the patient is faring.

My husband said that whole part seemed like a lie. I wasn’t convinced by the fact that the doctor said that his patient said that she saw tools that looked like her “dad’s socket set.” Well, you’re having surgery. Common sense says that tools will be there. Also her chart may have had information regarding her surgery, so it just felt bogus.

The guy at the end really was not a good fit for this film. My husband said it was weird how he became “best friends” with his abusive dad to the dismay of his mom and sisters. Supposedly Jesus told him that his purpose is to love others. Sure, Jesus Himself in the Bible said that the whole law hangs upon loving God and loving our neighbours, but there’s slightly more to Christian salvation than simply loving people. Not only that, the movie completely glossed over why he had a bad relationship with his wife and kids before his accident, and afterwards, when he “became a zealot” about telling everyone about his love mission from Jesus, his kids “didn’t respect (his) experience” and his now-ex-wife “poisoned” his kids against him and now they want nothing to do with the Bible. I’m seeing a real lack of accountability on his part on the continued breakdown of his relationship with his wife and kids. His “testimony” made my husband agree with him in that “people think he’s crazy.”

Theologically, this film is lacking. Scientifically, this film leaves the skeptic unfulfilled.

Stop making Christian proselytising movies for people who are already Christian. We are the wrong audience. Start screening your unfinished films to athiests only and go from there.

Fantastic doc

I’m not really a documentary guy, I’m a narrative filmmaker. This is one of the most fascinating docs I have ever seen. Step Into Liquid was my original favorite doc. After Death might be the best.

What this movie does is try to capture all the experiences that people see and hear after they die. A lot of medical testimony from doctors, and most of the interview subjects (people who die) are highly educated people: doctors, professors, airline pilot, etc. And none of these people seemed crazy to me.

Plato mentions a similar event in his famous book, Republic. Paul talks about it happening to him in the book of Acts in the Bible.

Everybody’s experience is unique and different. People’s hearts stop beating. In some cases their brain waves stop, and they are in extreme cold. They have out-of-body experiences. Some are heavenly (a light) and some are hellish (it’s dark). The filmmakers do an amazing job of helping us visualize what these people saw.

If you’re looking for “proof” for life after death, this movie won’t prove anything. But is there any evidence for it? Yes, there is, and that’s documented as well. You might want to keep an open mind and check this out. It’s very thought-provoking. By the studio that did The Chosen.

Not Especially New But Exceptionally Absorbing

Talking about the subject of Near Death Experiences (NDEs) was once about as taboo as speaking about UFOs or seeing a psychiatrist – sure signs that someone was priobably psychologically unstable, even if he or she merely believed in these things, let alone having had experiences with them. Thankfully, however, those days are largely behind us now, and speaking about them openly and honestly has become much more rational and commonplace. Such is the case in this new offering from directors Stephen Gray and Chris Radtke, who provide a comprehensive look at a subject that was once considered suspect – even laughable – but is now taken quite seriously, including by those who were once among its greatest detractors. The film presents a detailed look at the phenomenon, featuring interviews with such researchers as Raymond Moody, often credited as being primarily responsible for bringing NDEs into the mainstream dialogue, and experiencers of these events. It also presents a series of NDE re-enactments, including depictions of what led up to them and what happened as the experiences unfolded, all backed by stunningly gorgeous CGI effects of an admittedly indescribable reality and a beautifully emotive original score. This combination of elements thus provides an excellent overview of what make up NDEs while simultaneously conveying the obviously heartfelt emotions associated with them, bringing the experiences home to viewers in a way that other documentaries on the subject haven’t previously been able to accomplish. It sheds profound light on what can happen when one goes through these existential gateways and how returnees are often fundamentally changed by the experiences, giving them new outlooks on life and their purpose in it. While it’s true that this offering doesn’t present much that’s especially new about NDEs and that its pacing can be a little slow (and redundant) at times, it nevertheless does a superb job of immersing audiences in the material, again, a big improvement over previous attempts at addressing this subject. And pay no heed to the cynics who have erroneously called this little more than religious propaganda; while it’s true there are a handful of Christian-oriented references scattered throughout the film, the overall take here is more spiritual in nature, an ecumenical approach at examining the afterlife than one that’s exclusively rooted in any particular theological tradition. Viewers who may have been skeptical, unfamiliar with or skittish about this subject may find themselves surprisingly enlightened by what this release has to say. And the fact that it’s playing widely in mainstream theaters to astonishingly well-attended audiences also speaks volumes about the appeal and apparent universality of this title. As this film so astutely shows, death isn’t the end – and it’s high time we stopped looking at it that way.