Cassadaga (2011)

• Year: 2011
• Released: 11 Oct 2013
• Country: United States
• Adwords: N/A
• IMDb: https://www.imdb.com/title/tt1747967/
• Rotten Tomatoes: https://www.rottentomatoes.com/m/cassadaga
• Metacritics:
• Available in: 720p, 1080p,
• Language: English
• MPA Rating: R
• Genre: Horror, Thriller
• Runtime: 112 min
• Writer: Bruce Wood, Scott Poiley
• Director: Anthony DiBlasi
• Cast: Kelen Coleman, Avis-Marie Barnes, Kevin Alejandro
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	5.2/10
	32/100
	18% – Critics
	25% – Audience

Cassadaga Storyline

Devastated by the death of her younger sister, Lily Morel seeks solace at the spiritualist community of Cassadaga. But instead of finding closure, she contacts something else – the vengeful ghost of a murdered young woman. With her life crumbling all-around her, Lily races to unravel the mysterious circumstances surrounding the woman’s death – a task that will bring her face-to-face with a sadistic serial killer known only as “Geppetto”.—Bruce Wood

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Cassadaga Movie Reviews

Indie Diamond

Every once in a while, a low key movie comes along and makes you realise that there are writers and directors out there who enjoy making films, and more importantly, make them right.

Cassadaga is one of those.

Anthony DiBlasi works his magic over Bruce Wood’s excellent story,. much in the same vein as Dread, but here, he manages to keep the suspense going right until the end. It’s easy in this genre, to fall into the trap of letting the horror and gore overtake a great story, and in Cassadaga, the temptation to branch off to this must have be huge, however DiBlasi sticks to his guns, and directs us through the prickly path of the story mixing romance, horror, tension and chills in equal amounts to leave the viewer completely satisfied.

The casting of Kelen Coleman is a perfect – it’s not often you watch a movie and instantly click with the lead actors, but Kelen’s personality shines through from the start and the empathy immediately connects viewer and actor.

I don’t like reviewing movies and putting spoilers in, and I’m not about to start now, suffice to say, that the suspense is carried through the entire film, and done brilliantly, and whilst the ending may not be as big a surprise as you may expect, it’s delivered perfectly, closing off a superb chiller.

If you come across this little gem, don’t pass it by, as you’ll be missing out on an excellent film – grab it with both hands, sit back and let yourself go – you won’t be disappointed.

7/10

Supernatural

The movie was not received well at the Frightfest festival in Glasgow in general. You can see why of course, especially towards the ending, when things got … well a bit out of hand, you could say. The laughter that befall most people was definitely not intended by the filmmaker. The supernatural elements in it mostly work I’d say, if you let yourself into them of course.

It’s a tough sell and I think you’ll have to have a heart for that kind of movie. I didn’t particularly think this was great, but I also didn’t think it was as bad as some people thought. It comes down to if you think this will be worth your time.

Tries to be everything, ends up nothing

CASSADAGA is a movie that tries to have it all but ends up coming away with nothing. It starts out as a traditional ghost story with a deaf girl losing her little sister in a car accident and afterwards finding herself haunted by the spirit of a disturbed spirit. About halfway through it veers off into needless torture porn territory and becomes much, much worse.

CASSADAGA has a good sense of creeping dread going for it but that’s about all it does have. It lets the lead character be defined by her disability because without that she’d be a totally forgettable and uninteresting person. It doesn’t help that the supporting cast are entirely bland in themselves and will quickly disappear from memory once off the screen.

The ghostly elements of the film, although predictable, are better handled than the shoddy torture scenes of the most routine serial killer imaginable going about his business trying to make life-life puppets from dead people. It’s needlessly unpleasant, and helps sink the whole project. The expected chase scenes between killer and ‘final girl’ are as routinely staged as possible and the whole film has a familiar Hollywood vibe to it despite it being an independent production.