Red Rose of Normandy (2011)

2.5/10
35% – Audience

Red Rose of Normandy Storyline

Klaus Muller, a battle-hardened veteran, finds himself fighting for his life on the Russian front. Surrounded by overwhelming numbers of Russian tanks and planes, he and his men are doomed until famed German tank ace, Michael Wittmann, shows up in his Tiger Tank and saves the day. Once wounded, Klaus is transferred to Normandy to serve under Field Marshal Rommel just days before the Allied invasion. Much to his surprise, he finds that his beloved Klaudia is also stationed nearby as a field nurse. Unfortunately, so is her father, who is working with the French resistance and now finds himself pursued by the ruthless Gestapo officer Brahms, whose search leads him to Klaus and Klaudia attempting a rescue. They are caught and imprisoned. As D-Day begins and the Allies attack from the beaches and the sky, they escape from the prison, fighting the Gestapo in the middle of the biggest invasion in world history. We follow the D-Day invasion through the scared eyes of Sgt. Roberts whose path will cross with Muller in unexpected ways, as their individual fights lead them to cross paths.

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Red Rose of Normandy Movie Reviews

Nearly shot the television

As a WWII reenactor and history enthusiast, I tend to be rather harsh on movies, but in this case I think a low rating is justifiable. I can appreciate Mr. Struckmann’s enthusiasm for working with reenactors in film, but it is simply not working out for him. He seems to bite off more than he can chew in this movie, given his roles as lead actor, producer, executive producer, director, and writer. The plot was barely discernible, and even though I did sit through the whole movie, I’m still not exactly sure what happened. Perhaps if Tino decided to stick with one role, be it acting, directing, or whatever, and practiced it a great deal, then he might have more success. In addition to the flaws with the story, the historical inaccuracies are so glaring that they seriously made me contemplate shooting my television. Many of the “top of the line” troops are overweight and middle-aged, and the wide variety of individual reenactors with different impressions means that you have many people with different gear congregating where they shouldn’t be (E.G. Heer, SS, Fallschirmjäger, and Luftwaffe troops guarding a Gestapo prison). While I appreciate that working with reenactors allows the movie access to plenty of period vehicles, weapons, and pieces of equipment for a minuscule price, it doesn’t make the movie very convincing at all thanks to their often unprofessional appearance and actions. Overall, I can appreciate the amount of work put in my Mr. Struckmann, but I think that this movie spends too much time trying to be an epic with hundreds of troops on screen and not enough working out the many kinks in the story to be worth more than a laugh.

Possibly the Worst WWII movie

This is my first movie review. I have seen just about every WWII movie available. Most balance the action and underlying plot fairly well. The sub plot on this one was a romance between a German officer and his long time girlfriend. The acting was worse than a bad high school play. The majority of infantrymen looked mostly over 60 years old with a few in their twenties thrown in for realism? Being a small arms collector of that era, they did get that part fairly accurately..hence my one point rating. Obviously this was a low budget film since most of the armored vehicles were filmed from other angles to give the illusion of greater numbers. Most of the war flicks from the 50’s outshine this one. Don’t waste your time or money.

It must be a re-enactor film!

Let’s see…

Atrocious acting, overweight soldiers, pristine uniforms, non-period costume elements, ultra-low budget effects… It must be a re-enactor film!

It would be much too time-consuming to point out all of the gross errors in this film, but my favorite part is when Klaudia, a German nurse, jumps into the machine gun pit and starts shooting at the Americans with an MG-42. Here are just a few of the many, many other things that were wrong with the script:

> Many scenes take place in a large, multi-story, walled prison facility near Omaha Beach. No such place existed in 1944, and still doesn’t.

> Civilian police (Gestapo) have authority over the military.

> A private in the 29th Infantry Division on Omaha Beach has the helmet insignia of the 327th Glider Infantry Regiment of the 101st Airborne Division on his helmet

> The private mentioned above addresses his sergeant as “Sir”.

> The sergeant then says, “We gotta get off this beach, our Airborne is taking a hell of a pounding!” How does he know what the Airborne is doing? Why is he concerned about the Airborne instead of his objective? The Airborne troops are all over Normandy, too far inland for him to assist them with anything!

I would love to have enough money to make a ridiculously unrealistic film and run around in my WWII-era uniform. It looks like it was a lot of fun for the re-enactors and vehicle collectors in the cast, and the whole thing was clearly done in only one take, so no one would have been waiting around between takes and getting bored. I also like how they threw in a token Brit to be politically correct, but give no explanation as to why he’s there.

It’s interesting that the female lead (Klaudia Schiller, portrayed by Claudia Crawford) was left out of the credits. I know her acting was terrible, but so was the acting of everyone else in the film, and they credited all of them. At least her character’s name was the same as her real first name so she wouldn’t get confused when she was being addressed in the film. I wonder if they just licked her lips and stuck her to a wall when she wasn’t needed for a scene.