Godless: The Eastfield Exorcism (2023)

• Year: 2023
• Released: 06 Apr 2023
• Country: Australia
• Adwords: 1 win & 3 nominations
• IMDb: https://www.imdb.com/title/tt16296308/
• Rotten Tomatoes: https://www.rottentomatoes.com/m/godless_the_eastfield_exorcism
• Metacritics:
• Available in: 720p, 1080p,
• Language: English
• MPA Rating: N/A
• Genre: Crime, Drama, Horror
• Runtime: 91 min
• Writer: Alexander Angliss-Wilson
• Director: Nick Kozakis
• Cast: Georgia Eyers, Dan Ewing, Tim Pocock
• Keywords:

	5.6/10
	92% – Critics

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Godless: The Eastfield Exorcism Movie Reviews

Not your typical horror

The film’s premise makes you think you’re getting into a typical studio horror film, however, Godless: The Eastfield Exorcism is surprisingly well-directed and written, following the based on a true premise of an Australian exorcism. Director Nick Kozakis showcases plenty of traditional visual and storytelling talent but isn’t afraid to get Into the grit and nuance of moments, and the film benefits greatly from that approach. Its often uncompromising approach takes what might be a more standard spooky affair and turns it into one you won’t soon forget. Complete with the punchiest sound design imaginable, some strong lead performances, and inventive camera work, Godless makes for quite an intense picture.

Right from the jump, GODLESS sets a dark and unsettling tone.

Right from the jump, GODLESS sets a dark and unsettling tone. As the film progresses, the tension and suspense only continue to build, culminating in an unforgettable climax.

One of the standout elements of the film is Georgia Eyers’ performance as Lara. She delivers a stunning and convincing performance that’s both chilling and captivating. Dan Ewing (Love and Monsters) also delivers a solid performance as Ron, the husband determined to save his wife from the demonic presence that he believes has taken hold of her. While his character is not quite as fleshed out as Lara’s, Ewing still manages to convey the desperation and determination of a man on a mission. His chemistry with Eyers is palpable, and their performances together add depth and complexity to their relationship.

Director Nick Kozakis does a great job of building tension and creating a sense of dread throughout the film. His use of lighting, camera angles, and sound design all contribute to the film’s creepy and unsettling atmosphere. Kozakis is a talented director, and it’s clear that he’s one to watch in the future. Alexander Angliss-Wilson’s script is also a highlight of the film. While the story may sound like a familiar one, Wilson adds enough unique elements to keep the audience engaged and on the edge of their seats. The dialogue is sharp and effective, (Though non-Australian audiences may struggle with understanding some words). In terms of its technical elements, the film’s cinematography and sound design are both exceptional. The cinematography is moody and atmospheric, and it perfectly captures the dark and ominous tone of the film. The sound design is also outstanding, with eerie sounds and music that add to the horror elements of the film.

It’s rare to find a horror film that is both genuinely terrifying and well-crafted, but Godless manages to achieve both. This is a film that will stay with you long after the credits have rolled.

This isn’t an Exorcism movie…(Not really)

#OVERLOOK23 This isn’t an Exorcism movie…Not really.

All the trappings are there; a poor young female afflicted, cult like religious members, demonic imagery and of-course the exorcist themself. However, the film follows a narrative different from what we have come to expect from a studio style horror.

It’s expectingly dark, brooding and horrific; But in director Nick Kozakis’s hands, he has taken what might seem like a familiar tale and made it nuanced and gripping. It’s more akin to a gritty drama from someone like fellow Australian Justin Kurzel (Nitram) – Proving itself more drama than a b-grade horror (like the title may suggest)

Aided by an impressive performance by actress Georgia Eyers who manages to convey so much with her eyes even when she’s not talking. Cinematographer Carl Allison pulls off beguiling imagery; his use of shadow, light and dark does so much to convey a sense of foreboding and tension.

This is the most beautiful Exorcism movie you’ve ever seen-even if it’s not really an ‘exorcism movie’ at all.