Io Capitano (2023)

• Year: 2023
• Released: 03 Jan 2024
• Country: Italy, Belgium, France
• Adwords: 13 wins & 6 nominations
• IMDb: https://www.imdb.com/title/tt14225838/
• Rotten Tomatoes: https://www.rottentomatoes.com/m/io_capitano
• Metacritics:
• Available in: 720p, 1080p, 1080p
• Language: Wolof, French
• MPA Rating: N/A
• Genre: Drama
• Runtime: 121 min
• Writer: Matteo Garrone, Massimo Ceccherini, Massimo Gaudioso
• Director: Matteo Garrone
• Cast: Seydou Sarr, Moustapha Fall, Issaka Sawadogo
• Keywords: africa, europe, migration, senegal, migrant, dakar,

	7.7/10
	100% – Critics

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Io Capitano Movie Reviews

Intense, heartbreaking, but a little too fast

It’s really hard to watch, as a privileged European. Being that comfortable, in a movie theatre, knowing that everything you see is true and is happening right now to people that was just born on the other side of our common sea, makes your stomach sick.

I loved it, and yet I don’t know if I could see it again. Makes you feel helpless.

On the bad side (yes the other one was the good sire), it is too fast on some parts, you feel like they are skipping a lot. The story was probably just too long to be told in 2h. Some characters are not developed enough, they lack depth. I also felt like the true story was a little sweetned, to make it easier to watch.

Superb filmmaking at it’s finest – do not miss.

This is one of the most outstanding movies that I’ve seen in recent years, and one that should be compulsory viewing for all.

Illuminating, heart-breaking but ultimately uplifting, LO CAPITANO casts an unflinching eye upon the gruelling journey that so many illegal immigrants undertake in the hope of a better life.

The two innocents at the heart of the story are captivating in their naivety which is quickly crushed by the brutality of the heartless opportunists who exploit them at every step.

Yet, it also conveys a message of hope and triumph of the spirit. A superb film that’s not to be missed. If I could rate it 11 out of 10, I would.

The tough journey of two young Senegalese going to Europe

Seydou and Moussa from Senegal have saved some money to make their dream true – go to Europe and hopefully become famous. We see a bit of their life in Dakar, and then their journey to Sicily, through the desert partly on foot, abandoned by traffickers who had promised to bring them to Libya, and then they cross the Mediterranean Sea with a rotting ship without any sailor who’d know how to steer it. The film makes you live the experience; this was what I came to see, and this is what I got. It is based on the experiences of at least one of the main actors (don’t know for sure about others). The film has grim and sad moments, some suspense, some despicable behaviour, greedy and ruthless, but also some poetic dream sequences, heartwarming humanity, and even some inspiring optimism. It is a very tough and dangerous undertaking and nobody should be forced to put themselves through it. The acting was great and we get some impressive scenery and photography as well even though the protagonists are not there to enjoy it. Highly recommended, best film I saw this summer.

One aspect that made me think is that in the beginning the life of the two cousins in Dakar doesn’t look all too gloomy, and furthermore some people give them very realistic warnings about what they are going to go through. They decide to leave their families and take on the “adventure” anyway, which can be seen as rather stupid or at least naive really, but given they are 16 years old and have some drive to distance themselves from their childhood, this has some credibility. Still already in the beginning we can think that even if they reach Europe, chances are their life there will be no better, and there will be a point at which they will regret this. Although the film conveys a lot of sympathy for them, and for what the refugees have to go through generally, it could also be used to argue that Europe should close borders more strictly and do what it can to stop people being attracted to Europe based on unrealistic hopes. Certainly the film makes no attempt to convince the spectators that the two protagonists suffer real hardship in their home country and need to go away to have a bearable life. Certainly there will be refugees like this, but is it a majority? I’d still imagine many of those who go have stronger reasons than these two. No criticism of them film as it is certainly credible, still I think we are better off having clearly in mind that not all of these stories are like this one.