Nana’s Boys (2022)

• Year: 2022
• Released: 31 May 2022
• Country: United States
• Adwords: N/A
• IMDb: https://www.imdb.com/title/tt13585304/
• Rotten Tomatoes: https://www.rottentomatoes.com/m/nanas_boys
• Metacritics:
• Available in: 720p, 1080p,
• Language: English
• MPA Rating: N/A
• Genre: Drama
• Runtime: 78 min
• Writer: Ashton Pina
• Director: Ashton Pina
• Cast: David J. Cork, Jared Wayne Gladly, Malika Nzinga
• Keywords: relationship problems, relationship, lgbt, law firm, gay theme, gay,

4.7/10

Nana’s Boys Storyline

With subtle, vulnerable performances, Nana’s Boys focuses on the intimate life of a couple who are confronted with the fact that their relationship is not as solid as they thought.

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Nana’s Boys Movie Reviews

Breaking Up Is Hard To Watch

Breaking up is hard to do (or so they say). In any event, that’s something no one would get from watching this largely improbable offering about an African-American gay male couple whose relationship is teetering on the brink. When a sudden and massive explosion not far from their New York apartment unexpectedly throws the partners into a mandatory lockdown, their confinement leaves them to confront one another, a process full of revelations that accelerates their assessment of their circumstances and hastens a decision about how to proceed. In all sincerity, it’s a story that seems to have its heart in the right place, but, unfortunately, the writing is so implausible and unconvincing that it’s difficult to believe that this is a couple potentially on the verge of collapse, despite the alleged sensitivity it’s trying to convey. The characters sound more like they’re reciting scripted dialogue than engaging in believable conversation, and they often behave more like they’re on a date than wrestling with the course of their future. In many ways, this comes across like a more dramatic, reworked gay version of “Scenes from a Mall” (1991), only with fewer characters and staged in a more confined space (and about as compelling and credible as its more comedic predecessor). Writer-director Ashton Pina’s debut feature truly plays like a first-time effort, one sorely in need of a hefty dose of realism, not to mention a little less overacting and a soundtrack that doesn’t sound like it was pulled from a made-for-cable TV movie. Sadly, situations like this are often messy and ugly, and their depiction shouldn’t be glossed over with the kinds of polite, make-nice tropes that riddle the narrative and screenplay here, painful though that truth may be.

Good portrait of a relationship headed towards the rocks

Q and Amari are a black gay couple in love. Amari has been drifting aimlessly since being downsized, but successful divorce lawyer Q is full of plans – for today, Amari’s 30th birthday, to the rest of their lives together. What was unplanned for is being locked down with no electricity or cell service, after an explosion that was initially suspected of terrorism.

Until the next dawn, they are forced to be together, and find out secrets and express feelings that make their relationship wobble.

I do like the simplification of their other family relationships, by both of them being raised by their Nanas alone, which also gives a feel of the black experience.