Doctor Who Revolution of the Daleks (2021)

Adventure, Drama, Sci-Fi /
6.0/10

Doctor Who Revolution of the Daleks Storyline

The Doctor is locked away in a high-security alien prison. Isolated, alone, with no hope of escape. Far away, on Earth, her best friends, Yaz, Ryan and Graham have to pick up their lives without her. But it’s not easy. Old habits die hard. Especially when they discover a disturbing plan forming. A plan which involves a Dalek.—jesusblack-91294

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Doctor Who Revolution of the Daleks Movie Reviews

Having Captain Jack back is the best part

So this idiot prime minister is ok with security drones that are obviously built from Daleks? Is this doctor who from an alternate reality where oh, the third doctor didn’t avert WW3 by stopping the Daleks? Where UNIT never fight them? I feel bad for Jodie Whitaker, whose term as the doctor has been the worst written, even worse than Capaldis, who at least had a few decent episodes. Please fire Chibnall. Please.

Here we go again

The Chibnall era of Doctor Who is adamantly opposed to fun, not only in the show’s tone, but also in its strange refusal to give us a straight-up Christmas special. Gone are the days of settling in to watch the Doctor’s newest adventure after Christmas lunch. “Revolution of the Daleks” is so anti-holiday, there’s only the briefest mention of it being a new year.

The lack of fun continues as we get reacquainted with the “fam,” all of whom shuffle through this episode as if suffering from severe post-holiday depression. Even when the Doctor is rescued from her space prison, their moods do not improve, and they keep guilting the Doctor about her absence rather than wondering whether decades in a Judoon prison have had any effect on her.

Thirteen’s era is so odd. We spend an enormous amount of time with her companions, yet we never get to know them. Nearly all of their countless conversations have been about the same three topics: not giving up, not letting the Doctor down, how they’re a family now.

Character growth has been so stagnant that when Ryan announces his decision not to accompany the Doctor anymore and states that he’s found his purpose on earth, the most sensible question is “What is that, exactly?” All Ryan needed was one more line, indicating that he was, I dunno, going to join the police force, or look into UNIT, or pursue a profession–ANYTHING. Instead, the episode ends with him still having difficulty riding a bike, which is exactly–EXACTLY–where the character started! It’s the show going out of its own way to indicate its own lack of character arcs.

(One tangential note to close: I’ve read a lot of other Thirteen-era IMDB user comments, and I notice a thread among a lot of the positive reviews: many of them start with some variation on “Don’t listen to the trolls! They’re all men who just hate the idea of a female Doctor!” Note to anyone who writes this way: This is an ad hominem attack, not valid criticism, and it will stop people from taking your reviews seriously.)

The Doctors writers need the Mandolorian treatment.

Doctor Who is stuck with God awful writers right now. Trying way too hard for emotions to be fealt between characters coming and going. Filming a boring quick scene with sad music is not how you do it.

The entire episode focused way too much on the wrong things and ramming too many stupid emotional elements in that its just lost it’s way. It’s Doctor Who, not Days of Our Lives.

Right now the Doctors writers are that of Star Wars 7, 8, 9… Get rid of them and find it’s Mandolorian writers so all hope is not completely lost for the future of Doctor Who.

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