Centurion (2010)

6.3/10
62/100
61% – Critics
43% – Audience

Centurion Storyline

AD 117. The Roman Empire stretches from Egypt to Spain, and East as far as the Black Sea. But in northern Britain, the relentless onslaught of conquest has ground to a halt in face of the guerrilla tactics of an elusive enemy: the savage and terrifying Picts. Quintus Dias (Fassbender), sole survivor of a Pictish raid on a Roman frontier fort, marches north with General Virilus’ (West) legendary Ninth Legion, under orders to wipe the Picts from the face of the earth and destroy their leader Gorlacon. But when the legion is ambushed on unfamiliar ground, and Virilus taken captive, Quintus faces a desperate struggle to keep his small platoon alive behind enemy lines. Enduring the harsh terrain and evading their remorseless Pict pursuers led by revenge-hungry Pict Warrior Etain (Kurylenko), the band of soldiers race to rescue their General and to reach the safety of the Roman frontier.

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Centurion Movie Reviews

A grubby, gory delight.

When the final credits were rolling my regular cinema-going counterpart observed “that was one of the most outwardly violent films I’ve seen since Kill Bill”. That’s not far from the truth. Limbs are hacked clean off, stomachs are regularly impaled and the claret fluid sprays endlessly. Though the major difference is where Tarantino’s homage to the old chop-socky movies from Eastern cinema is cartoonish in its bloody visuals, Centurion is anything but tongue-in-cheek; here the blood, sweat and tears seep into the muddy vistas and bucolic rivers of Great Britain to intensify the atmosphere.

Director Neil Marshall (The Descent) has crafted a gritty movie that at its core is a simple ‘cat and mouse’ tale – and a highly entertaining one at that – but becomes much more thanks to the efficacious work from all the cast and crew. Marshall himself executes a few impressive sequences, the most outstanding being the initial ambush on the Ninth Legion, showing once again he knows how to stretch a small budget with minimalistic techniques and a passionate approach. Director of photography Sam McCurdy provides a suitably grimy and grainy look that, although at times is too dim, sets the ideal tone for the film. Perhaps Marshall should have monitored the editing closer though, Chris Gill’s frenetic cutting very nearly ruins a couple of the fight scenes.

Major Hollywood star in the waiting Michael Fassbender (played the German-impersonating British Lieutentant in Inglourious Basterds) is undoubtedly the standout among the acting contingent. As the titular soldier, Fassbender makes for a charismatic leading man that convinces in both the physical and dramatic elements of the role. I eagerly wait to see what he does as the young Magneto in the upcoming X-Men prequel. Elsewhere The Wire alumni Dominic West is rough around the edges as the gruff General Virilus, Olga Kurylenko is positively bad-ass as the mute, monomaniacal warrior hell-bent on revenge and BBC favourite David Morrisey adds clout in his supporting role of Bothos.

A grubby, gory delight.

4 out of 5 (1 – Rubbish, 2 – Ordinary, 3 – Good, 4 – Excellent, 5 – Classic)

Are you not entertained?

Centurion is directed by Neil Marshall who also wrote the screenplay. It stars Dominic West, Michael Fassbender, Olga Kurylenko, Liam Cunningham, Noel Clarke, Riz Ahmed & Imogen Poots.

Britain, 117 AD and the Romans are struggling to contain the Picts in Caledonia. The Roman Governor sends in their best army, the Ninth Legion. But they are victims of a trap and are forced to flee on foot across the mountainous terrain with the vengeful Picts in hot pursuit. Can they stay alive and make it to the border?

One thing you know you are going to get with a Neil Marshall film is blood and guts. Be it squadies facing off against werewolves, pot-holing babes grappling with hungry Gollum types, or a secret unit sent in to quarantined Scotland to fend off cannibal punk rockers; Marshall likes to pile on the grue. With his latest, Centurion, he continues in this vein. Sadly that’s about all there is as the talented director appears to be getting a little carried away with himself and forgetting to put some substance into his characters. What promises to be a telling historical epic anti-war movie ends up being one long chase movie. Only pausing for breath for intermittent blood letting and the now obligatory love interest sub-plot. Oh it’s fun, very much so, and the visuals coupled with the excellently constructed fight sequences don’t waste a penny spent. But as a whole it just doesn’t work, it’s more a collection of set pieces linked together by visceral pleasures under the guise of being a take on a folklore story.

However, there is no denying the commitment to the genre from Marshall. Centurion is often thrilling and brutal into the bargain, so as long as you don’t require any semblance of depth then it will surely entertain you. While he has assembled a very admirable cast of British & Irish thesps and put them thru a very tough shoot up in the Scottish hills. The craft is there, from director and stars, just no decent script to flesh it out. Oh and do we really need Roman soldiers saying the F word to show us how hard they are? Coming after Doomsday flopped (personally I think it’s a whole bunch of fun), Marshall is at the crossroads of his career. Once the indie darling of Britain he’s been courted by Hollywood and needs to make big decisions. You can only homage so much in your favoured genres (here he nods to Gladiator, The Warriors and even Zulu) before it gets to be boring. So is it time to let someone else write now? Also if he must stay mainstream then he has to get the budget to do the job properly; witness the digital blood used for the first fight sequences, laughably bad and able to take you right out of the film.

At times ridiculous and over the top, Centurion only works well as a pure action flick. Which of course will find an audience. But director and cast are better than this, as an effective story is bogged down by lack of narrative heart that in turn is most likely hidden by arterial blood. Lots of it. 5/10

Features thrilling fighting scenes , violent battles and impressive production design

Ultraviolent historical/epic/action yarn with breathtaking battles including lots of blood and gore . This is a nice as well as exciting production with a big budget , great sets and thundering battles during the Roman Empire . The picture deals with historical facts about confrontation between Romans and Picts . AD 117. The Roman Empire stretches from Egypt to Spain, and East as far as the Black Sea. But in northern Britain, the relentless onslaught of conquest has ground to a halt in face of the guerrilla tactics of an elusive enemy: the savage and terrifying Picts (they were generally thought to not have worn any clothes). A Roman army commanded by General Titus Flavius Virilus (Dominic West) is besieged and deadly attacked . After that , splinter group of Roman soldiers led by Centurion Quintus Dias (Michael Fassbender) fight for their lives behind enemy lines after their legion is decimated in a devastating guerrilla attack . As they attempt to destroy their leader Gorlacon (Ulrich Thomsen) and face a desperate struggle to keep his small platoon alive .

Bloody version based on historical events with overwhelming battles and great production values starred by Michael Fassbender as the fictional Centurion , leader of a motley crew of tough , battle-hardened warriors/underdogs who try to defend themselves against a patrol of bloody Picts led by a brutal warrior woman . The movie has great action sequences well staged with stylish and vitality , thrills , a little bit of romance and is pretty entertaining . Although is a little revisionist about characters , history and time when is developed the action in a dirty , gritty Roman Empire during its period in Britain . Several action scenes are outstanding with spectacular battle images and thrilling fights . Unfortunately, on small house screens much of the splendor will be lost . As the movie makes a big deal out of the supposedly deathly rivalry between Romans and the Picts . German archaeologists have found evidence of the 9th Legion on the banks of the Rhine River and carbon-dated them long after these events took place, suggesting that rather than being wiped out, the reason that there is no evidence of the 9th Legion being in Scotland after these battles is that they moved to Germany . The working title for the film was “Ninth Legion” , the story goes that the Ninth Legion marched to Scotland from York with 3000 men and were never seen of again. Historians dispute what actually happened to them. Some believe that they were disbanded, while others believe that they were massacred .

Stunning battles scenes illuminate the full-blown feats with a plethora of engaging action set pieces on the combats in which the heads and limbs are slice off here and there . Casting is frankly excellent such as Liam Cunningham , Dominic Cooper , David Morrissey , Ulrich Thomsen , Imogen Poots and Paul Freeman and Governor Julius Agricola . Special mention to treacherous , despised role played by Olga Kurylenko as sadistic , revenger Etain . There are great action sequences including the gory battle in woods and the final confrontation at the climax of the film . Impeccable and evocative cinematography by Sam McCurdy . Filmmaker and his director of photography Sam McCurdy spent about two years discussing the look of the film before making it , one thing they were adamant about was that it should be shot on location and nowhere near a green screen. Magnificent and stirring musical score by Ilan Eshkeri . The motion picture was compellingly directed by Neil Marshall (Doomsday , Descent , Dog soldiers). Neil Marshall shot the film in such hard conditions that some cast members suffered health problems . One of Neil Marshall’s influences was Walter Hill’s The warriors (1979) , this is why Hill is thanked in the end credits . Rating : Good, it’s a nice historical extravaganza well set in ancient Rome , done in great scale and praised for its action sequences.