Kunsten å tenke negativt (2006)

• Year: 2006
• Released: 03 Nov 2006
• Country: Norway
• Adwords: 4 wins & 5 nominations
• IMDb: https://www.imdb.com/title/tt0945356/
• Rotten Tomatoes: https://www.rottentomatoes.com/m/kunsten_a_tenke_negativt
• Metacritics:
• Available in: 720p, 1080p,
• Language: Norwegian
• MPA Rating: N/A
• Genre: Comedy, Drama
• Runtime: 79 min
• Writer: Bård Breien
• Director: Bård Breien
• Cast: Fridtjov Såheim, Kirsti Eline Torhaug, Henrik Mestad
• Keywords: joint, group therapy, wheelchair user , pessimism,

7.0/10

Kunsten å tenke negativt Storyline

The Art of Negative Thinking is a burlesque drama about Geirr (35), who is wheelchair bound after a traffic accident. In an attempt to show everyone how miserable his life is, he has reached a dead end. Isolation, a weapon fixation, self-medication, and endless bitterness result in his girlfriend Ingvild (33) being at an utter loss. In a final desperate attempt to save their relationship, she invites the local positivity group to their home. Through a solution-focused method, this group sees opportunity in the blackest of holes. They have simply become one extremely positive group of people. With the threat of losing his girlfriend hanging over him, Geir reluctantly agrees to meet with them.Group leader Tori (40) attacks Geirr with all her positive professionalism, and the group does its best to assist her. Still, it does not take long for Geirr to discover that everyone in this smiling gang is at least as miserable as he is: Lillemor (65) is a lonely, bitter divorcee from the nice side of town who has ended up in a tiny apartment; Asbjørn (50) is a speechless stroke patient full of pent-up aggression; and Marte (28), paralyzed from the neck down, smiles from ear to ear to hide how she really feels about her boyfriend Gard (38). Because, after all, he was the one who forgot to secure the climbing rope.It’s time for an intense day at Geirr and Ingvild’s, where Geirr refuses to look at anything in a positive light. Eventually he manages to bring the positivity members over to his side; first by neutralizing the group’s leader. Totally free from having to think positively, they struggle through a night of despondency, bizarre confrontations and uncomfortable truths, until morning breaks and they again see the light. The positivity group has learned the art of negative thinking.

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Kunsten å tenke negativt Movie Reviews

awesome movie

what you might expect when entering the theaters for this movie is a sad little feel-sorry movie from ice-cold Norway. I mean, how can a movie with handicapped people be any fun? well, lets start with the colourful ensemble of characters in this movie. first there’s of course geirr, an impotent wheelchair bound master of the negative, that looks like he’s been to Vietnam and back a dozen times, who compensates his lack of “drive” with a ridiculously large handgun. there’s also a rebellious grandmother, a stroke-victim, a paralyzed woman with a grin plastered firmly on her face, and a cast of control-freak “healthy” people. mix this together, and you have a healthy dose of facades being torn down for some self-destructive letting lose. its a fresh breath of air amidst the dreary number of gangster wannabe movies thats been pouring out of norwegian cinemas.

as a bonus on the DVD, you get a small movie about a thug with a bad back filmed in a documentary-style manner, which is also worth a watch.

another glittering gem in Norways collection of weird little movies.

I ♥ Your Mom

I recently saw this at the 2008 Palm Springs International Film Festival and of the 38 films I saw there this year, the Art of Negative Thinking has emerged as my film favorite. Fist of all, this is a small film shot in 20 days with little obvious budget. Almost the entire film is filmed on location in a house and besides the cast, the most expensive overhead was probably the rights to use Johnny Cash and some other great 60’s 70’s music and some snippets of a few movies. This is a dark comedy and the comedy is very, very funny and it’s usually unexpected and right around the corner throughout the film. What makes this film all the more amazing is it is the debut feature film from it’s writer/director Bård Breien both as a writer and as a director. Geirr (Fridtjov Såheim) is a paraplegic whose once idyllic life of matrimonial bliss to Ingvild (Kirsti Eline Torhaug) has been shattered by his paralysis. Ingvild wants to stay with him but Geirr has withdrawn from her and the world and spends his days watching 1970’s Vietnam themed films on TV and listening to Johnny Cash records while he gets drunk and smokes pot, living on pizza, wearing an Army jacket and a silly cap and harboring an unhealthy fascination with handguns. Tori (Kjersti Holmen) is a national health psychologist who is the head of a state run positivity group program for victims of paralysis. Ingvild has contracted Tori to try to enroll Geirr in her program and since Gierr is naturally resistant to the idea, Tori takes her group to him. Marte (Marian Saastad Otteson) is a quadriplegic who is Tori’s star pupil in positive thinking. Gard (Henrik Mestad) is Marte’s boyfriend who has joined the group in support of Marte. Asbjørn (Per Schaaning) is a once successful businessman who as the result of stress and alcoholism suffered a debilitating stroke. Lillemar wears a neck brace for sympathy but is a bitter 65 year old divorcée. This is a great ensemble cast with each a memorable character. This is one of those films that makes me laugh days and weeks after seeing it. I would give this a 10 out of 10 and highly recommend it.

Stop smiling and it’ll hurt less

Breien’s film about handicapped people is a corrective. It mocks programs that offer false cheer, repress the need to express anger, and don’t give people who need to do so the right to take things in their own hands.

Things get lively as soon as Tori (Kjersti Holmen),a smug therapist who works for the Norwegian state health system, takes her group of variously dysfunctional folks in a van to the house of Geirr (Fridtjov Såheim), a wheelchair bound man who’s refused to join the program. If she thinks she’s going to win Geirr over, she’s got another think coming. As we see before the group arrives, Geirr, who’s paraplegic and impotent from a car accident, doesn’t get along with his wife Ingvild (Kirsti Eline Torhaug) and likes to spend his time getting high, drinking beer, listening to Johnny Cash albums and watching war movies.

Tori has brought quite a motley crew. There’s Lillemor (Kari Simonsen), a middle aged divorced woman in a neck brace. Marta (Marian Saastad Ottesen) is a pretty woman. She is paraplegic too, from a mountaineering accident. Gard (Henrik Mestad) is her self-righteous, self-pitying boyfriend. Asbjorn (Per Schaaning) is an older man who is seriously damaged by a stroke and can hardly speak. Tori imposes a regime of forced cheer. It’s obviously gone too far with Marta, who wears a fixed rictus smile. Lillemor is perpetually whining. She gets to voice her complaints into the knitted “shit bag,” which Tori passes to people who want to say something uncheerful.

Ingvild has invited the group over because she can’t take Geirr’s withdrawn grumpiness much longer and is desperately hoping they can get through to him. The surprise is that it’s he who gets through to them. Geirr doesn’t want anybody to try to tell him that things are okay for him. By shaking up the group and expelling Tori and encouraging the others to admit what’s really going on inside or alternately dropping their facades of self-pity, Geirr releases a swoosh of energy in the group that flows back to him. It turns out he’s a pretty together fellow. He becomes the leader–and the exponent of The Art of Negative Thinking. The group helps him by pointing out that of all of them, he’s materially the best off. He lives in a big, beautiful house, while some of them are struggling to survive financially. Others also reveal what else is going on with them, that Tori’s bossiness had kept from coming out. Marta stops smiling long enough to point out to Gard that his failing to tie her off is why she fell. On the other hand he needs to stop agonizing over that and move forward. Lillimor doesn’t really need the neck brace. Asbjorn gets so involved in the proceedings, which involve some useful drunken revels, that he regains some of his power of speech. In time Tori is allowed back to apologize and the air has been cleared.

The solutions the group, with Geirr, arrive at relate to 12-step recovery, which assumes as a given that people must help themselves and you don’t know what it’s like unless you’ve been there yourself. Nobody who hasn’t dealt with the minute to minute hardships of being disabled has the right to tell handicapped people to keep their chin up. You have to acknowledge the dark side to get to the light. When being honest is the prime requisite it also comes clear who has been faking and who can get a lot better fast if they try.

But this isn’t some kind of instructional film. It’s a somewhat theatrical happening, whose improvisational surprises at times suggest the work of Lars von Trier. The actors manage to seem real and at the same time somewhat stylized.

This is a nice little film that somehow seems ideally a product of the angst-ridden world of the Scandinavian northland. But a lot of what goes on here is universal, and by no means restricted to the handicapped–or to Norwegians.

Seen as part of the San Francisco International Film Festival 2008.