Minotaur (2006)

  • Year: 2006
  • Released: 11 May 2006
  • Country: United Kingdom, Luxembourg, Germany, France, Spain, Italy
  • Adwords: N/A
  • IMDb: https://www.imdb.com/title/tt0415160/
  • Rotten Tomatoes: https://www.rottentomatoes.com/m/minotaur
  • Metacritics:
  • Available in: 720p,
  • Language: English
  • MPA Rating: R
  • Genre: Action, Adventure, Fantasy
  • Runtime: 93 min
  • Writer: Nick Green, Stephen McDool
  • Director: Jonathan English
  • Cast: Tom Hardy, Michelle Van Der Water, Tony Todd
  • Keywords: greek mythology, minotaur, labyrinth, ancient greece, bronze age,
3.7/10
20% – Critics
20% – Audience

Minotaur Storyline

Long ago in the Iron Age a shadow loomed over a lonely village of Thens. For every five years, eight village youths are stolen from their families to the capital of the Minos Empire and placed in the underground labyrinth to be a sacrifice to the Minotaur, the Minoan god. Theo, haunted by the loss of his love, Fion, in an earlier sacrifice, is convinced that the beast is not a deity and that his love still lives within the labyrinth. His father Cyrnan, the village leader, tries to reason with Theo not to go but Theo is driven by blind rage and made his way in with seven other youths to be sacrifical lambs. However, Theo intends to kill the Minotaur. Along with his fellow captives, Tyro, Danu, Vena, Morna, Didi, Ziko and Cyrnan, they are placed in the labyrinth by King Deucalion, with the youths slaugthered one by one by the Minotaur. However, Theo is aided by Deucalion’s sister, Queen Raphaella, who reveals that her mother gave herself to the most disturbing actions to create a living god, the Minotaur. As the Minotaur grows, so does its appetite when it murdered Deucalion’s brother, resulting with the human sacrifices to appense the Minotaur while ensuring Minos’s surival.Theo along the way discovers the labyrinth is connected to an underground vent and Tyro tempts the Minotaur to crash into one of the vents but is unsuccessful as the Minotaur eats him alive. Theo then tempts the Minotaur and in the process, the Minotaur breaks his left horn, but continues to charge after Theo. As Theo ran back towards the enlarged vent, he scratches the walls and generates a spark that ignites the whole labyrinth, and dives into a pond of water where Raphaella was waiting for him. They emerge from the water as the flames die out, but the beast is still alive and attempts to charge at them again. Theo takes the horn out of the rubble from where the vent was, and just as the beast attempts to kill him, stabs the Minotaur through the mouth and continues on charging until it hits a collapsed rock formation which impales the horn through the Minotaur’s head and finally kills it. Once out, they find Deucalion near death from the explosions decimating the palace as Raphaella smothers him to death, ending the cycle of fantaism and starting a new age.

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Minotaur Movie Reviews

Nothing brilliant but surprisingly one of SyFy’s more tolerable movies

Minotaur was not a brilliant movie. And in all honesty, I wasn’t expecting it to be, in fact considering SyFY’S reputation I was expecting much worse. There are problems, but to my surprise Minotaur was one of SyFy’s more tolerable movies. The film surprisingly looks great, unlike other SyFy movies you can actually see and somewhat understand what’s going on, the photography is not too slipshod, a decent job is done to make the setting believable and the scenery is really quite stunning. The music is another improvement, not forgettable or sluggish but often well-orchestrated with a couple of rousing moments. The main female character is also beautiful and doesn’t fall into the trap of being too vapid, and while I think Tom Hardy knew the script was bad and overdid it sometimes there is an element of charisma about it that has been sorely lacking in other fantasy/adventure SyFy movies. The minotaur is rather unconvincing, with the quality coming across as choppy computer-game-ish, but I have seen far worse effects before. Besides the minotaur is quite menacing, again another improvement on other SyFy monsters. Minotaur also has a lot of faults, starting with the insipid dialogue and clichéd and personality-less(generally) characters and ending with a rather predictable and at times ridiculous story that takes time to get going in some of the cave/labyrinth sequences and Tony Todd(who was so brilliant in Candyman) overacting embarrassingly, like Danny Glover in Age of the Dragons and (I know this next example isn’t SyFy but still) Jeremy Irons in Dungeons & Dragons he chews the scenery to pieces. Overall, not a brilliant movie and has a lot wrong with it but tolerable, compared to other things that SyFy have done. 5/10 Bethany Cox

Pleasant Diversion

Welcome to the CITIZEN KANE of Sci-Fi Channel movies. Not that MINOTAUR is faultless. It’s just competent on so many more levels than your average Sci Fi-Schlock Fest that it appears great in comparison.

We have some actual acting going on. Granted, there is some great scenery chewing, but it’s on a grand scale. There are some good effects. There are some epic looking landscapes and the occasional set. And the script and direction are actually acceptable.

On the down side, there’s the same CGI overkill that seems to haunt every Sci Fi monster flick. Thankfully, this is kept to a minimum. We’re also stuck in the same labyrinth/cave sets for way too long. And every so often I couldn’t help feeling that plot points were being cribbed from a Terry Jones film.

But these are minor quibbles. There’s some attempt here to breathe life into the monster on the loose genre. Not bad at all.

Surprisingly better than most Sci-Fi originals

Years ago, the people grew so greedy and hedonistic that they were no longer satisfied with worshiping a mythical god, so the Queen had sex with a bull and produced the Minotaur. Didn’t turn out so good, a few deaths were involved, and the creature was placed in a labyrinth beneath the palace. Now every third year eight people are cast into the labyrinth as a sacrifice.

This had surprisingly high production values for a Sci-Fi original. All the sets were quite nicely done, and even the Minotaur looked very good. On the bad side, the characters just didn’t have much character, nor screen presence, and it got pretty boring towards the middle. The worst part was that, when trapped in a series of caves with a killer critter, what would a person do? Perhaps be quiet so as not to attract the attention of the beast? Not these folks. The main character especially seems almost incapable of grasping the situation; He yells at the top of his lungs on numerous occasions. Once, the Minotaur is only a few feet away and the guy still can’t shut up. He’s also convinced that his girlfriend, who was sacrificed three years earlier, might still be alive somehow. I couldn’t quite figure out how anyone could be so dumb as to believe such a thing. There’s also a woman who screams a lot – not just a regular scream, but a long, long scream. Maybe ten seconds in duration. That’s a real joy to listen to.

Two of the more entertaining characters are the high priest and priestess who are in charge of the kingdom. The priest likes smoking from a bull skull, and wants to get it on with the priestess. Seeing that she’s his sister, she’s rather cool on the idea, and jumps into the labyrinth as well. She’s about the only interesting person down there. And one of the few people who speaks in such a manner that you can understand her. I missed a lot of mumbled dialog in this movie, but I don’t think it served much purpose anyway.

Overall, I think the Sci-Fi Channel may be getting a little better at movie making (they’ve certainly had enough practice). This one was almost good.