Ab Tak Chhappan (2004)

• Year: 2004
• Released: 27 Feb 2004
• Country: India
• Adwords: 3 wins & 21 nominations
• IMDb: https://www.imdb.com/title/tt0402014/
• Rotten Tomatoes: https://www.rottentomatoes.com/m/ab_tak_chhappan
• Metacritics:
• Available in: 720p, 1080p,
• Language: Hindi
• MPA Rating: Not Rated
• Genre: Crime, Drama
• Runtime: 129 min
• Writer: Sandeep Shrivastava
• Director: Shimit Amin
• Cast: Nana Patekar, Revathi, Yashpal Sharma
• Keywords: dirty cop, police department,

7.8/10

Ab Tak Chhappan Storyline

The section of the Mumbai Police Department responsible for handling the underworld known as Crime Branch is headed by Sadhu Agashe (Nana Patekar). Sadhu is the city’s best inspector with an enviable reputation and record of encounter shootings. Though tough, he is a loving husband to his wife (Revathi) and father and also helps his informers and other poor people in times of need. His immediate junior, Imtiyaz Siddiqui (Yashpal Sharma) despises Sadhu to no end; he feels Sadhu intentionally belittles him. Also Imtiyaz is more concerned about adding to his encounter score and therefore ends up killing more than the primary target which is the main reason Sadhu dislikes him. To add to his woes, Imtiyaz is unable to surpass Sadhu’s encounter “score”. Enter Jatin (Nakul Vaid), a rookie to this line of policing who manages to impress Sadhu. The inspector takes the newcomer under his wing, further antagonizing Imtiyaz. All of them report to the Commissioner Pradhan (Mohan Agashe) who is a fair and honest police officer.During these events, Sadhu establishes a love-hate friendship on the phone with Zameer (Prasad Purandare), a notorious underworld don based abroad, who grudgingly admires Sadhu for his no-nonsense attitude. Zameer and rival don, Rajashekhar run the Mumbai underworld.Sadhu Agashe’s world begins to turn upside down as Pradhan retires and with the entrance of the new commissioner, M P Suchak (Jeeva) who has a strong link with the don, Rajashekhar. Suchak takes a liking towards Imtiyaz who is willing to do encounters primarily of Zameer’s men mainly on Rajashekhar’s orders. Suchak starts undermining and belittling Sadhu. Sadhu continues on his honest path. Eventually, the pressures of his career take a toll on his personal life as some men kill his wife in the Jatin and Vaishali’s wedding reception party. During his personal investigation into this matter, Sadhu kills Feroz, right-hand man of Rajashekhar. Sadhu is compelled to resign from the force and Suchak (on Rajashekhar’s orders) sends Imtiyaz to kill Sadhu. Imtiaz gets killed in a peculiar chain of events and Sadhu Agashe, a once famed inspector, becomes a fugitive of the law. Suchak announces shoot at sight orders against Sadhu despite Pradhan’s advice to the contrary and Sadhu is forced to ask Zameer for help in escaping from India.Meanwhile, Jatin, who has been growing increasingly disenchanted by Suchak’s behavior, resigns and calls for a press conference and exposes Suchak’s connection with Rajashekhar. Suchak disputes this in his press conference but is suspended pending investigation.Sadhu goes to Zameer’s HQ and thanks him for releasing him and tells him that he is now Zameer’s man. As Zameer and Sadhu are drinking alone, Sadhu breaks a glass. Sadhu accuses Zameer of killing his wife. When Zameer tells Sadhu that it is Feroz who killed his wife, Sadhu informs him that he had killed Feroz earlier and hence he was convinced that using Feroz’s name, Zameer had murdered Sadhu’s wife. Suddenly, Sadhu uses the broken glass to kill Zameer and escapes. Then the scene rolls forward to a location abroad where Sadhu and Pradhan are having coffee. When Pradhan asks Sadhu about why he had run away thereby proving the allegations against him, Sadhu tells him that it is part of his plan. He was able to kill Zameer as a fugitive which he never could have done as a cop. He says that he will now go to Rajashekhar since Rajashekhar is thrilled at Zameer’s death and kill him too. Sadhu says that he doesn’t care what the world thinks of him and he will always be a cop and will continue his work of eliminating crime until he dies. He requests Pradhan to look after his son who is with his maternal aunt in Pune and Pradhan contemplatively agrees. The end credits roll as Sadhu gets up and walks off after saying good bye to Pradhan.

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Ab Tak Chhappan Movie Reviews

“Hum sab system ka hissa hain. System decide karta hai. Apun follow karta hai.”

I still remember watching Satya for the first time. I was completely blown away. Here was a movie that was very different so from the other Gangster films that I had seen. So realistic, so Mumbaiyya and so believable. Despite “Company” (which was a very good effort) and “Vaastav” (more focused on the journey of the protagonist) which came close, no underworld movie could ever live up to Satya.

When I watched Ab Tak 56 for the first time, I said to myself “Indian Cops have their own ‘Satya’ now”. The quote by Nietzsche in the beginning itself tells you that this is no ordinary film. What strikes you about the “encounter” at the start of the film is the relaxed manner in which it is carried out. There is a cold and scary feel to it cos you realize that it is part of their routine.

Ab Tak 56 is not the story of an honest cop or a corrupt cop but of a cop who is ready to do what it takes to get rid of the criminals when all lawful means are exhausted. With simple shots and camera angles, director Shimit Amin manages to capture the essence of the characters and gives a realistic and rough feel to the movie. Editing seems non-existent and hence effective. The music is also impressive and haunting and stays with you long after you’ve left the movie hall.

But for me, what really takes the cake are the dialogues and the superlative acting from each and every character. Sandeep Srivastava has done a brilliant job as the dialogue writer. If I start listing my favourite dialogues, I’m afraid I’ll end up re-writing the entire script of the movie.

The movie boasts of some stellar performances. Yashpal Sharma is detestable as Sub-Inspector Imtiaz Siddiqui and so is Jeeva as Joint Commissioner Suchak. Revathi, Hrishita Bhatt, Mohan Agashe and Kunal Vijaykar have small roles which they play to perfection. Nakul Vaid as the rookie Jatin Shukla was a revelation. The scene where he has to hesitantly shoot the wounded gangster – Oh My God! He learns under the tutelage of Sadhu Aghashe and firmly believes in him.

Prasad Purandhare as Zameer Zafar is impressive. His conversations with Sadhu are real jewels of dialogue writing. Never before in Indian cinema has any film brought out such a beautiful relation between a cop and a gangster.

Not that I have not been a fan of Nana Patekar before this film but this film pushed me from a fan to a devotee. Nana as Inspector Sadhu Agashe gives the performance of a lifetime and one of the best I’ve ever seen in Hindi cinema. From the way he talks to his expressions, from the way he taps his cigarette to the way sips his tea – it’s almost as if Nana can do no wrong. He is at his best in each and every scene especially when he’s teaching Jatin about how the police force functions. His cool and composed manner of doing things is scary at times. His dialogue delivery and body language had me convinced that he is one of the finest actors in the country. It’s a shame that he did not win any popular awards for this one.

Last but in no way the least, Shimit Amin does a brilliant job of bringing all this talent together and exploiting them to the fullest to come up with a modern masterpiece of Indian cinema. In an industry that is sickeningly accustomed to lifting stories from here and there, Amin takes an original script and brings it to life with a beautiful treatment. I just hope that he continues the great work and doesn’t give in to Bollywood-isation! If he can do that, I’m sure he’ll be a force to reckon with in the coming years.

Nana Patekar steals another movie

Nana Patekar once again proves that he is the best actor working in Bombay without a doubt. His recent movies involved shouting his lines that does not bode well for the theater trained thespian. One wonders why he is always not given his accolades during awards season.

“Shakti-The Power” was one of his flicks that was an utter disapointment along with Kohram (a missed oppurtunity to create screen magic with Amitabh Bachchan).

But Patekar exudes a cool calm in this film playing a cop on a sort of social justice journey. Ridding the streets of Bombay of underworld dons in fake encounters, Patekars character takes control of the screen (and the viewers attention) and never lets go. The editing is tightly paced and there are no annoying songs to distract from the story.

Along the same lines as the modern day cult classic “Company”, the movie is well acted, directed and should have a long shelf life on DVD.

The final ten minutes that see Nana and the main villain talk at his offshore haven are bound to be part of Hindi cinema classics. Won’t be dissapointed with this cops and robbers flick.

Oscar material from India!!

This is by far one of the best films that India has ever made. Following are the plus points of the film…

Wonderful direction, cinematography and editing, the editing is very smooth and the timing of changeovers is excellent.

Even though the film shows the life of Mumbai Policemen and their hardships, it never gets boring or sympathetic.

Mind-blowing acting by lead actor Nana Patekar. One can surely hope that he gets nominated for the Best actor for the academy awards.

Controlled violence. The violence is controlled and the film doesn’t become a bloody mess.

No stupid songs as in usual Indian movies.