Mad Dog Time (1996)

5.3/10
17% – Critics
47% – Audience

Mad Dog Time Storyline

Mob boss Vic returns to business from madhouse. Meanwhile his best and quickest assistant Mickey Holliday is having an affair with Vic’s girl Grace Everly and, at the same time, with her sister Rita Everly. What will Vic do? Whom will he kill? Is he really insane and weak? Many other mobsters, including Jake Parker, WackyJacky Jackson and Ben London think he’s not so powerful anymore and hope to take his place.

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Brazilian Portuguesesubtitle Mad.Dog.Time.1996.720p.BluRay.x264.
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Mad Dog Time Movie Reviews

Mad Dog Time to Turn Off the TV

I’m quite convinced that everyone who gave this a good review watched a completely different movie than I did. With odd filming choices, bad acting, stilted dialogue and a slow plot that is so thin it barely deserves to even be called a plot, this was just a hot (or rather lukewarm) smoky mess from start to finish, dead on arrival much like many of the main players in this movie, and a one note symphony of stand off after stand off conducted sitting down for some reason (would it then be called a sit off?).

I’m going to level with you, I bought this because I have a crush on Jeff Goldblum, (hey, he has some pretty eyelashes in this movie, though his lines are limited), but even with an all star cast, it’d take a whole lot of polishing for this movie to shine. Though I will admit Gabriel Byrne’s character Ben has some moments of intrigue, it can’t save the whole show, and besides, most of the best scenes are already seen in the preview and so it’s all downhill from there.

I mean it’s certainly nowhere near the worst movie I’ve ever seen, it has its few small huff a tiny bit of air from your nose marginally funny moments, but it’s cutting it awfully close. That lucky son of a gun who gets shot in the the first few minutes of the movie and didn’t have to sit through the rest of it though, one could envy him.

A Comedy That Is Not Funny

Vic (Richard Dreyfuss) is a mob boss, leaving a mental institution, back to his world of gangsters. How can a director have a cast with Richard Dreyfuss, Ellen Barkin, Jeff Goldblum, Diane Lane (very gorgeous), Gabriel Byrne, Gregory Hines, Kyle MacLachlan, Burt Reynolds, Billy Idol and a make such a waste of time? This movie is a comedy that is not funny, having a constellation in the cast. My vote is four.

Title (Brazil):’ Prazer em Matar-te!’ (‘Pleasure in Killing You!’)

An enjoyably off-center black comic parody of gangster movies

Loopy, but shrewd and formidable mob boss Vic (an excellent performance by Richard Dreyfuss) gets released from a mental hospital. Several of Vic’s fellow criminal cohorts who include volatile henchman “Brass Balls” Ben London (a gloriously manic and over-the-top hammy portrayal by Gabriel Byrne), the smarmy Jake Parker (a perfectly smug Kyle MacLachlan), and vicious rival “Wacky” Jacky Jackson (a neat turn by Burt Reynolds) all try to bump Vic off. Meanwhile, laid-back and self-assured hit-man Mickey Holliday (nicely played with low-key confidence by Jeff Goldblum) finds himself caught in the middle of all this deadly lunacy. Writer/director Larry Bishop brings a supremely hip, quirky, and original idiosyncratic sensibility to this deliciously dark and deadpan pitch-black comedy about betrayal, loyalty, and ruthless ambition run dangerously amok. The bang-up cast have a field day with the colorfully grotesque rogues’ gallery of blithely amoral and treacherous hoodlums: Ellen Barkin as tough, sultry moll Rita Everly, Henry Silva as Vic’s reliable right-hand man Sleepy Joe Carisle, Gregory Hines as philosophical smoothie Jules Flamingo, Diane Lane as Vic’s sweet, perky mistress Grace, Billy Drago as the slimy Wells, and Christopher Jones as brutish rub-out artist Nicholas Falco. Bishop makes the most of his juicy secondary role as lethal and laconic ace assassin Nick. Popping up in nifty bits are Billy Idol as a blustery thug, Michael J. Pollard as the ill-fated Red, Joey Bishop as mortician Mr. Gottlieb, Rob Reiner as a jolly chauffeur, and Richard Pryor as Jimmy the Gravedigger. Byrne’s delightfully insane duet with singer Paul Anka on “My Way” rates as a definite sidesplitting highlight. A tense and amusing climactic Mexican stand-off likewise tickles the funny bone something hysterical. Frank Byers’ slick cinematography, the outrageously nutty dialogue, Earl Rose’s jazzy cocktail lounge score, and a choice soundtrack of vintage swinging golden oldies all further enhance the engagingly peculiar charm of this immensely entertaining one-of-a-kind curio.