The Young Americans (1993)

5.7/10

The Young Americans Storyline

The London police is having trouble with organized crime commited by juvenile delinquents. Their leader is an American who is an expert at turning young men into ruthless gangsters. American cop John Harris is asked to help the London police to break up the organization.

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The Young Americans Movie Reviews

Taut thriller has the edge over run-of-the-mill fare

Although the plot may be a familiar one, the fine acting on display here raises this film from the doldrums into being a pretty effective and taut thriller. The ever-dependable Harvey Keitel, who’s always a presence whichever film he’s in, stars as an American cop who comes to London after chasing a particularly nasty piece of work, a drug dealer. Once in London he discovers that while the city may be different, the crimes and people inhabiting it are the same, from the world-weary cops to the old-time criminals who just want peace to the young thugs who would murder you in the blink of an eye.

The supporting cast of British actors is packed with familiar faces, and everybody gives a good performance in this film. Particularly affecting is Craig Kelly, who plays a young informant who gets puts in grave danger as the film progresses. Kelly’s performance is a realistic and touching one, not least with his believable relationship with a very young-looking Thandie Newton, who of course would go on to appear in many films. Elsewhere, Terence Rigby is also very good as a criminal who wants to help the police get the murderers, and Keith Allen puts in a thoroughly evil performance as a frighteningly nasty piece of work who bumps off those he doesn’t like. His comeuppance is well deserved.

Touching on the seedier side of London, complete with drug-fuelled nightclubs, and murders being committed in dark alleys, this feels very much like a typical American thriller, except that the odd setting makes it perhaps more interesting to watch. Director Danny Cannon mixes in the mystery aspects of the film with some shocking bursts of violence, leading up to the inevitable bloody death-filled finale. What surprises most is that his drama is character-based instead of style-fixated, which is often the case with some of these more recent crime thrillers they’re throwing at us. Saying that, there are some good bits of cinematography, including an inspired tracking shot which transforms the London underground into a place of isolation and foreboding like never before! Although THE YOUNG Americans doesn’t give much in the way that’s new and has an obviously low budget, a good cast and well-sketched, realistic characters give this thriller an added edge over your typical run-of-the-mill fare. Highly recommended.

OK, but no “Clockwork Orange”

The only “young” American in “The Young Americans” is Viggo Mortensen, who was 35 years old. Otherwise we have a middle aged American (Harvey Keitel), a Zambian (Thandie Newton) and a bundle of Brits.

Harvey Keitel does his usual good job, although in this case he is more polished and less violent than we expect. The film comes out just after his roles in “Reservoir Dogs” (1992), “Bad Lieutenant” (1992), and “The Piano” (1993), all of which won him renewed acclaim and awards. One year later we would shine as the “cleaner” in “Pulp Fiction”.

No one else is around much to talk about their performances. Thandie Newton at 20 is cute as a button, and Viggo Mortensen, though in his mid 30s, does look “young”. Neither one of them gives us the quality that we later see for both.

The photography is excellent, and it’s great to get to see sections of London. But the plot is awkward, and the action seems excessive, especially give the British environment. The core of the message is that American crime is seeping into England and the British need to watch out. I think violence in Britain was handled pretty well in “A Clockwork Orange”, two decades earlier.

This was the second film for director Danny Cannon who went on to fame in TV as the producer of a bunch of CSI series as well as Nikita and Gotham.

It’s not a bad film, but there is nothing new or exciting or innovative to recommend it.

functional crime drama

Violent organized crime is overwhelming the ill-prepared London police. Bodies are piling up. American Carl Frazer (Viggo Mortensen) has recruited young men to be violent ruthless thugs. American cop John Harris (Harvey Keitel) arrives to assist the police in catching the bad guys.

Harvey Keitel is great. Viggo isn’t in this enough. There are some good British actors. Thandie Newton plays the girlfriend role. The movie relies on some unknown kids, mostly Craig Kelly. He’s a blank fresh-faced newbie. He can’t be the leading man in this movie and yet he is. It leaves the movie a bit scattered and hollow in the center. The intensity isn’t really up to American standards. This is function TV crime drama… sorta.