Relentless (1989)

• Year: 1989
• Released: 30 Aug 1989
• Country: United States
• Adwords: N/A
• IMDb: https://www.imdb.com/title/tt0098184/
• Rotten Tomatoes: https://www.rottentomatoes.com/m/relentless
• Metacritics:
• Available in: 720p, 1080p,
• Language: English
• MPA Rating: R
• Genre: Crime, Thriller
• Runtime: 92 min
• Writer: Phil Alden Robinson
• Director: William Lustig
• Cast: Judd Nelson, Robert Loggia, Leo Rossi
• Keywords: serial killer, police officer, dead woman,

	5.9/10
	50% – Critics
	32% – Audience

Relentless Storyline

After Arthur “Buck” Taylor (Judd Nelson), son of a deceased police officer, is turned down by the police academy as psychologically unfit for the force, he telephones Todd Arthur (Patrick O’Bryan) and leaves a message on his answering machine, threatening to kill him that night. Todd goes to the police, only to be told they are short on staff and to leave the machine’s cassette tape. Todd returns home, where Buck kills him with a steak knife. The murderer leaves a note reading, “Catch me.”The next day, Sam Dietz (Leo Rossi) arrives at the station as a newly promoted detective. He and his partner, Bill Malloy (Robert Loggia), are assigned to Todd’s murder case. At the crime scene, Dietz figures out what transpired, but Malloy warns him to wait for laboratory reports before making any conclusions.Meanwhile, at the firing range, Buck remembers how his alcoholic and abusive policeman father, Ike Taylor (Beau Starr), took him shooting when he was a small boy, and beat him for missing the target. Buck was also forced to run an obstacle course while his father fired bullets over his head. No matter how well Buck did, Ike would beat him for being too slow. Buck goes home and picks Angela Taylor’s (Harriet Hall) name from the telephone book and prowls on her roof. Hearing a disturbance, she telephones police as he crashes through a skylight. Angela hides in a dryer machine, but Buck finds her and garrotes her with piano wire. Later, Dietz and Malloy find a note at the crime scene that reads, “What’s taking you so long?”Dietz begs Malloy to let him investigate the crimes instead of waiting for laboratory reports. Malloy refuses and Captain Blakely (Ron Taylor) orders Dietz not to talk to the press about the case. Dietz acquires a psychological profile of the killer from police psychologist Doctor Park.The next night, Buck strikes again and kills Arthur Taylor, a movie producer, with a corkscrew. As he leaves, he hears Arthur’s mistress calling him and strangles her. When Dietz and Malloy arrive at the scene, they find another taunting note, and Malloy notices the similarity in the victims’ names.The next morning, Malloy telephones Dietz to report two more murders of people with the name “Arthur Taylor.” The newspapers learn of the multiple murders and label Buck “The Sunset Killer.” It is reported that Dietz and Malloy are the detectives in charge of the investigation. Dietz and Malloy canvas all the “Arthur Taylors” in the telephone book to warn them they may be in danger.In a rundown weekly motel, Dietz and Malloy meet Buck. Malloy recognizes a picture of Buck’s father, and realizes he knew Buck as a boy. Dietz finds a revolver and suggests Buck keep it close until they catch the serial killer. After they leave, Buck puts his revolver in his mouth, but decides the police must kill him.That afternoon, Buck goes to Malloy’s home and shoots the cop to death. Dietz thinks Malloy’s death is unconnected to the serial killer, until he opens his front door and finds a page from the telephone book with Malloy’s name and a message that reads: “If I’m so sick, why can’t you catch me?” He orders his wife Carol (Meg Foster) to take their 10-year-old son, Corey, to her mother’s house.With Dr. Park’s consent, Dietz leaks a phony psychological profile of the killer to the press, stating that he suffers from impotency. Hoping that he will go after Dr. Park, Dietz cons a police lieutenant into assigning him four men, and they stake out the doctor’s home. When Buck arrives at Park’s house, he spots Dietz’s car and walks away.An officer named Terrell telephones Dietz and plays him the answering machine tape from the first victim, Arthur Todd. Dietz recognizes Buck’s voice. When he and another policeman go to Buck’s hotel, they find a telephone book missing the page with Dietz’s address. Dietz tries to call home, but the telephone is off the hook. Dietz rushes home to find Buck pointing a gun at his family. He screams for him to drop the weapon, but Buck hallucinates that Dietz is his father and raises his pistol. Dietz empties his revolver into the man’s chest. As Buck bleeds to death, he pulls out a note that reads, “Thank you.”

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Relentless Movie Reviews

A solid and satisfying serial killer thriller

Cunning, demented and maladjusted psychopath Buck Taylor (a genuinely creepy and credible performance by famed 80’s Brat Pack member Judd Nelson) embarks on a brutal killing spree in Los Angeles. He picks folks out of the phone book, helps his victims kill themselves, and leaves sick taunting notes for the cops. It’s up to weary, cynical veteran Bill Malloy (a typically fine and crusty portrayal by the always excellent Robert Loggia) and his excitable new eager beaver rookie partner Sam Dietz (winningly played by Leo Rossi) to nab Taylor. Director William Lustig, working from a smart and compact script by Jack T.D. Robinson, keeps the pace rattling along at a constant snappy clip, effectively creates a substantial amount of raw, gritty, gut-wrenching tension and stages the shockingly nasty and ugly murder set pieces with considerable flair. The first-rate supporting cast includes Meg Foster as Dietz’s loving wife Carol, Angel Tompkins as a TV reporter, former convict turned crime novelist Edward Bunker as a huffy police superior, John Goff as a sarcastic psychiatrist, Ken Lerner as a smarmy swinger, Roy Brocksmith as a blasé coroner, Beau Starr as Taylor’s abusive, overbearing cop father, and George “Buck” Flower as an ornery old coot. The refreshingly complex and engaging well-drawn characters (for example, the semi-pitiable Taylor is the angry and unbalanced toxic product of a harsh upbringing), James Lemmo’s glossy, handsome cinematography, the hard-hitting no-nonsense tone, and Jay Chattaway’s spooky, rousing, dynamic score further enhance the overall sterling quality of this bang-up little flick.

Has Its Moments, But Sequels Are Better

This crime story has some scary scenes, with an especially memorable one early on with a woman hiding in a clothes dryer. In fact, the first half of this is excellent but it peters out that point with two typical Hollywood clichés of crime movies of the period.

They are: 1 – the good cop (Leo Rossi as “Sam Dietz”) going it alone despite the orders of his superior; 2 – the killer going to the good cop’s house to kill his family. Too bad it stooped to these obvious story lines because this could have been an outstanding serial-killer movie. As it is, it would up being slightly better- than-average. By the way, what’s with Meg Foster’s eyes? It looks like they have no pupils. It’s eerie to look at that woman’s face.

This movie spawned several sequels and the sequels were better and better as they went along.

Judd Nelson’s best performance

A demented serial killer is wrecking havoc on the streets of L.A. It’s up to a rookie and a veteran cop to stop him.

Sound familiar? You bet. Yet this film seems to creep up above most other films of the similar genre, thanks in most parts to an unusually effective performance from Judd Nelson. Most of the times I don’t particularly like him, but here he fits the bill perfectly.

The supporting performances are also quite good. Robert Loggia plays it straight as the veteran cop and Leo Rossi has never been as appealing as here. Director William Lustic creates a reasonable amount of suspense and keeps things moving at an adequate pace. But mostly, this film will be remembered (by me anyway) as the best Judd Nelson film, and his best performance. He plays a psychopath to a tee.