The Lion of Flanders (1984)

• Year: 1984
• Released: 14 Mar 1985
• Country: Belgium, Netherlands
• Adwords: N/A
• IMDb: https://www.imdb.com/title/tt0085829/
• Rotten Tomatoes: https://www.rottentomatoes.com/m/the_lion_of_flanders
• Metacritics:
• Available in: 720p, 1080p,
• Language: Dutch
• MPA Rating: N/A
• Genre: Drama, War
• Runtime: 90 min
• Writer: Hugo Claus, Hendrik Conscience
• Director: Hugo Claus
• Cast: Frank Aendenboom, Theu Boermans, Jan Decleir
• Keywords:

5.5/10

The Lion of Flanders Photos

The Lion of Flanders Torrents Download

The Lion of Flanders Subtitles Download

The Lion of Flanders Movie Reviews

Our pride ruined.

I’ll probably have to explain my comment summary a little for those people not living in Flanders, i’d say over 99.9 % of mankind. The so-called Battle of the Golden Spurs, dated the 11th of June 1302, was one of the armed conflicts between the king of France and his landlord, the Count of Flanders. Discussing the principles of early 14th-century feudalism at length would take us too far : let’s just state that at numerous occasions, both parties would stress respectively their power & independence on the edge of a sword.

19th century novelist Hendrik Conscience turned this battle into a symbol of oppression of the Flemish people, telling a heroic and passionate story how the nobility & craftsmen from all over the land joined forces against twice as many opponents, simply stating : if we each kill two of them, there is no problem to speak of. Thanks to their courage, the muddy Groeningenkouter stream which hindered the French cavalry enormously & the mystical yet inspiring appearance of the captured nobleman Robert de Bethune as a knight dressed in golden armour, Flanders triumphed. (I will save you all that happened before, it’s basically more patriotic heroism and more bloodshed in a black versus white portrayal that makes “the Patriot” look subtle.)

Conscience was one of the founding fathers of the so-called Flemish movement, pleading for recognition and respect for the Flemish language & culture in a Belgium that was dominated by French. Now, effective nationalism needs a heroic tale, and besides a short period of kicking the Spanish invaders, there was little to choose from. It is what you get when you are part of various empires for seven hundred years. In that perspective, De Leeuw van Vlaenderen is quite enjoyable, plus it kills a few hours.

Now, about the movie. It is very ambitious. It has Jan Decleir, our best actor ever in one of his best roles ever(as popular hero & resistance leader Jan Breydel – for the Americans : he always has that sarcastic Jack Nicholson thing going )a unique amount of genuine medieval locations & the best … whatever. It does not have any French dialogue, while it’s the second language in these parts for Christ’s sake, and in either case we have very skilled actors in the French part of the country. It does not have great views; the historical settings are so tied up inside modern city centers the camera wringles itself to keep the cars out, though probably spotted some nevertheless. It does not have decent special effects, even for the mid-eighties, simultaneously with all that Friday the 13th-like gore : maybe arrows don’t give up much blood in some places of the human body, but swords surely do. The acting feels rather artificial. And most of all, you cannot fake 90.000 men fighting a ferocious battle with about 1000 clowns running around on a field, leaving 5 yards minimum in between when not fighting or being dead. The shortage of manpower & effects screwing up the battle really screws up any credit one would have been willing to give the rest of the film. And if even Conscience did not consider the golden knight equals divine intervention in an empty harness to be credible, why should we ?

All together : if i might have 150 million dollars and some SFX crews to do a faithful adaption with some disembowlings this time.

Shild and vriend (shield and friend)

During the reign of Philippe Le Bel, France was at the peak of its power and its wealth in the Middle-Ages;the king imposed a centralized kingdom, which displeased the bourgeois as well as the nobles; he was not very popular and few movies were made about his reign. The most famous was the TV miniseries “les rois maudits” :the celebrated destruction.of the order of the templars who represented an international financial power ;burnt alive on the stake with other companions, Jacques De Molay ,the Grand Master would have cursed all the kings to come ;historians say that the master simply appealed to God’s justice ;the fact that Philippe died within the year fueled the legend. The second subject concerns Philippe’s daughters -in -law ,two adulteresses,filmed by Abel Gance in “la tour de Nesles ” in which history was given a rough ride .

But no film about Flanders ,it was the first time a movie had been made about this aspect of the king’s reign ; it’s a gripping historical epic, with shakespearian accents (all that concerns Gui De Dampierre) , scenes which verge on fantasy (the battle of the golden spurs ) and generally good acting .

Like the French, the Flemish were overburdened with taxes ;Philippe ‘s rapaciousness knew no bounds (he expelled the Jews,after confiscating their possessions) in the movie he seems a little listless, encouraged by his wife Jeanne De Navarre the First (was she really the cruel woman who insisted even Flemish women and children be slaughtered too? Opinions differ ,she married the king at 11 ,when he was five years her senior and her political role did not seem so important ).

This war ,which turns “holy” in the king’s mind in the second part,was David against Goliath ;although the French lost the battle of the golden spurs , Philippe had the last laugh and the poor province was finally defeated in 1304 and was part of the kingdom till 1369.

This is a very violent movie, a story which in the end is a plea for oppressed people , a rebellion against the high and the mighty .

What a surprise

I was so well surprised by this obscure film from Netherlands and taking place in the Middle Age. It is a medieval tale so gritty, accurate, bloody and not to be watched by kids in matinees. I have rarely seen a so realistic medieval tale, except of course Paul Verhoeven’s FLESH AND BLOOD, and maybe a couple of others, all recent films. But in the eighties, there was not many of them. Very few indeed. It looks like a Mel Gibson’s feature, bloody, and the most accurate.