A Very Curious Girl (1969)

6.9/10
67% – Critics

A Very Curious Girl Storyline

An oppressed and exploited young woman (Marie) begins charging for her sexual favors and completely disrupts the smug patriarchal capitalist society of the village of Tellier.

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Curious film

LA FIANCÉE DU PIRATE ‘s greatest asset is the gorgeous Bernadette Lafont, and certainly the sexual favors she bestows (at a price) on her local “clients” as she avenges the killing of her pet goat, and breaks free of near-slave bondage, are easy on the viewer’s eye.

Rather dark humor runs right through the film, but that has always been one of Lafont’s trademarks, and she is most comfortable in the nude in all her films. Her mother’s death and burial is odd in the extreme, adding to the film’s general screwball approach. The script is rather loose – to put it mildly -, the characters all seem to be on the verge of madness, photography is rather shabby, and direction… well, Director Nelly Kaplan seems quite satisfied to just let Lafont do what she likes, and it is plain to see that Lafont had a wonderful time doing the shoot.

Only the French, and perhaps the Italians, could have come up with such a rambling oddity of a sexual story… nothing memorable about it, apart from curvaceous, daring, brazen Lafont. How I love watching her!

Troubles in a small village

Some words about the story.Marie and her mother live apart of the village.Marie works for a lesbian farmer who exploits her totally, besides all the men of the village are harassing her.Her mother dies and then she begings charging for her sexual favors: of course all this respectuous men go to church every Sunday and are speaking badly about her.But her revenge will be very hard because she knows a lot of secrets about these men and their family. In this story about hipocrisy in a small village appears a sympathetic man, André, who shows films in the villages of the region and becomes a confident of Marie. Now some words about Bernadette Laffont (1938-2013), this French actress was “the face of the French New Wave “(she has worked with Truffaut,Chabrol, Jean Eustache), a very good actress. His friend André is interpreted by a very famous French actor Michel Constantin who has always had a great sense of humour.

Jolly Rogers

Again this is one you have to attempt to view in the context of the climate in which it was released; in 1969 the Sisterhood would have been all over this like a rash and Nelly Kaplan would have been well on the way to canonization for turning in this tale of a chauvinist’s plaything/sex object turning the tables and ’empowering’ herself and by extension downtrodden women everywhere. There’s just one flaw in the ointment. Marie, aged somewhere around 20 has (presumably) been treated as a doormat in general and sex object for the pleasure of both the men of the village and at least one lesbian landowner. She lives with her mother in squalor, which is a hut with no electricity/running water on the outskirts of the village. One day the mother dies and a light goes on over Marie’s head: she’s through being the village bike for free, now they’ll have to pay to lay. AND THEY DO! Why? She hasn’t suddenly become proficient in karate, developed a genius level IQ, or metamorphosed into a cross between Marilyn Monroe and Brigitte Bardot. Why would these men (and woman) who had been more or less raping her for years suddenly become pussycats and dance to her tune. They Wouldn’t, of course; in reality they’d run her out of town on a rail BUT if you can accept this premise this is a neat little satire which hits 90 per cent of the targets it aims at and is funny with it.