The Crooked Web (1955)

Crime, Drama, Film-Noir /
6.0/10

The Crooked Web Storyline

Cafe owner Stan Fabian joins Joanie Daniel and her “brother” Frank in a scheme to unearth a “fortune in stolen gold buried by Frank” in Germany during World War II, and Stan is unaware that Joanie and Frank are undercover agents trying to get a confession from Stan of a murder he committed in Germany. Joanie plays on Stan’s love for her, insisting he join the Army and so gain access to the supposed hidden treasure, buried in what is now a U.S. Army reservation. Entrapment is the word used now.

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The Crooked Web Movie Reviews

The plot makes no sense and the film is easy to skip

The plot for “The Crooked Web” is way too complicated–so complicated and nonsensical that you wonder why they didn’t work out all these details better before they filmed the story. It’s a shame…but it’s a film I would just as soon never watched.

The story begins with a business run by Stan (Frank Lovejoy). He’s assisted by his fiancée, Joanie (Mari Blanchard) and things look pretty normal. Then, her ne’er-do-well brother, Frank (Richard Denning) arrives and he’s apparently got so get rich quick scheme but it entails going to Germany and digging up some grave. Also, along the way Frank ends up killing his partner right in front of Stan and Joanie!! Instead of going to the cops, Stan wants in with Frank and his scheme.

Soon, the viewer learns that Frank and Joanie are NOT brother and sister and in fact she’s already engaged with Frank. What gives? Well it seems that the pair are government agents and they are trying to lure Stan back to Germany. Does it all sound too complicated? You haven’t even begun to hear the entire story! But, unfortunately, the story doesn’t make a lot of sense and there really was no reason to even lure Stan to Germany in the first place. Overall, a film with little payoff and a story that seems to have too many holes.

Con Game With A Bullet

Frank Lovejoy runs a roadside cafe. He’s in love with carhop Mari Blanchard, and wants to get married. She wants security. When her brother, Richard Denning, shows up, he’s got a big deal in Chicago, which Mari drunkenly spills to Frank is about $200,000 in stolen and buried gold in Germany. Deming is willing to cut Frank in for operating expenses…. yet when Frank goes home, Denning and Miss Blanchard meet up and canoodle. When they meet Denning’s partner in Chicago, he doesn’t want any more partners, and says he’ll do it all on his own, so Denning shoots him.

It’s clearly a confidence scam at this point. The question is, what has Lovejoy got that they are willing to spend such time and effort to get him to Germany? The movie veers fast and furiously as it bumps along, with a great script. Nathan Juran’s directon is adequate, but the performers are up to their roles for a movie that is a lot of fun for fans of con-game movies like me.

What starts off great mulches down into a web of convoluted cold war mumbo-jumbo.

The stage is set for an intriguing “Double Indemnity” like thriller where hard-boiled waitress (Mari Blanchard) turns out to seem to be more than the back-stabbing blonde sex-pot, betraying her fiancé (Frank Lovejoy) with a man (Richard Denning) she claims is her brother. The scenes at the drive-in restaurant which Lovejoy owns (and where Blanchard works) give promise to another “Detour” or “Decoy”, a throwback to what classic film noir was all about. But soon you learn that what you think is going on isn’t what is going on at all, and it all boils down to a trip to Germany where a stash of valuables hidden in a graveyard becomes the desire of the three leads, running from the law, yet not really on each other’s side.

There are some creepy moments where Lovejoy comes across Denning and Blanchard are acting a lot less like brother and sister and more like lovers, and he doesn’t put two and two together. There’s faked murders, a phony radio broadcast announcing the search for the three runaways, and a lot more confusing situations involving a military base all of a sudden built around the gravesite which Lovejoy and Denning desperately try to get to so they can turn the valuables into golden wrenches in order to smuggle out of the country.

I found the whole thing pretty preposterous as the film went on, and as it neared its violent conclusion, my thoughts went from “Huh?” to “Whatever!”. What seemed like a great scam in the making film where all the amoral parties ended up paying turned into an absurd cat and mouse game where the mouse and the rat play with the cat who grabs the cheese, not realizing that it’s poisoned.

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