La Terra Trema (1948)

• Year: 1948
• Released: N/A
• Country: Italy
• Adwords: 1 win & 1 nomination
• IMDb: https://www.imdb.com/title/tt0040866/
• Rotten Tomatoes: https://www.rottentomatoes.com/m/la_terra_trema
• Metacritics:
• Available in: 720p, 1080p,
• Language: Sicilian, Italian
• MPA Rating: Not Rated
• Genre: Drama
• Runtime: 160 min
• Writer: Antonio Pietrangeli, Giovanni Verga, Luchino Visconti
• Director: Luchino Visconti
• Cast: Luchino Visconti, Antonio Pietrangeli, Antonio Arcidiacono
• Keywords: sicily, italy, fish, boat, fisherman, neo realism, italian neo realism,

	7.8/10
	82% – Critics
	87% – Audience

La Terra Trema Storyline

In 1947, in Sicily near Catania, the fishermen in Aci Trezza for have been exploited by the local middlemen for generations. Young ‘Ntoni Valastro rebels against the economical situation of his poor family and convinces them to mortgage their simple house in the Fidania Bank in Catania to buy their own fishing boat and never work again for the wholesalers. He decides to go fishing during a storm because of the necessity to repay the debt to the bank.—Claudio Carvalho, Rio de Janeiro, Brazil

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La Terra Trema Movie Reviews

A panoramic study of man and earth…

A Marxist aristocrat, Count Don Luchino Visconti Di Morone was widely praised for both the realism and vaguely politicized tone of his early films, and the operatic sumptuousness of his later historical costume dramas… Throughout his career, however, style dominated content; all too often, the result was camp, decorative melodrama disguised as solemn, socially significant art…

“La Terra Trema,” an epic account of the hardship suffered by Sicilian fishermen, was even closer to Neo-realism, shot on location with a cast of nonprofessional actors living their lives on screen… Its somewhat simplistic Marxist message, that the peasants’ real enemy was not Nature but exploitive businessmen, was in fact less indicative of Visconti’s future and its use of a disintegrating family to mirror the social climate of Italy as a whole…

The conflicts, misery, poverty, joy, and anger in a fishing village are shown in a panoramic study of man and earth…

‘The Earth will Tremble’ is not political nor intends to teach… The film reveals… it doesn’t judge…

The cinematography is outstanding, particularly the scenes with the fishermen at sea…

Heartbreaking, Bitter and Cruel Reality

In 1947, in Sicily near Catania, the fishermen in Aci Trezza have been exploited by generations by the local middlemen. The young ‘Ntoni Valastro rebels against the economical situation of his poor family and convinces the Valastro to mortgage their simple house in the Fidania Bank in Catania to buy a fish boat of their own and never work again for the wholesalers. In a stormy day, he decides to fish due to the necessity of repaying the debt to the bank; however, the storm destroys his boat and the dream of his family. Without any support and job, ‘Ntoni sees the disintegration of his outcast family.

“La Terra Trema: Episodio del Mare” is a heartbreaking, bitter and cruel story of a family of fishermen that decides to change their poor economical situation facing the powerful exploiters. The Marxist “Red Count” Luchino Visconti directs and narrates this little masterpiece of the Italian Neo-Realism casting non-professional actors and actresses, actually fishermen and inhabitants of Aci Trezza. The abusive treatment of the greedy and idle wholesalers gives an idea of how workers were exploited in this period of history and the reason for the ideological fight of classes between Communism and Capitalism. In Brazil, this film was released on DVD by Versátil Distributor. My vote is nine.

Title (Brazil): “A Terra Treme” (“The Earth Shakes”)

imperfect but unforgettable Visconti

Luchino Visconti’s epic on a family living in the Sicilian fishing village of Trezza, the Valastros, is a compelling story, told with sincerity and skill, and for the outsider viewing into their world it’s at the least interesting and at its most heart-felt is rather affecting. Narrators Visconti and Antonio Pietrangeli themselves are outsiders to the world of dirt-poor fishermen who work their entire lives to earn pittance for the wealthy wholesalers (it’s based on a novel, I Malavoglia- translated as Ill Will- by Giovanni Verga).

Their narration can hint the audience member on little details that wouldn’t be known from the characters, however sometimes their voice-over, in such a documentary style (before this Visconti was among a group of directors for a documentary during world war 2 that is not listed on this site but it mentioned in the documentary My Voyage to Italy) can be a little deterring as they mention certain emotions the characters are feeling that we as the audience can determine right in the eyes.

The story tells of the Valastros, in particular ‘Ntoni, an idealist who returns from fighting in the war with a much different view of the environment around him than what his elders would want to believe. Unlike his grandfather, who has worked for the wholesalers and not earned and saved a cent more or less than his children, he wants change in the way things are done, and soon gets enough money to build his own boat and to sell his own fish.

Things look optimistic, until nature intervenes in destroying the boat, leaving ‘Ntoni without a job, the wholesalers laughing at him mercilessly and little by little loosing any respect he had in the village. His other family members also get time on the screen- two sisters who want to meet a man to marry, and how one is at the will of God and the other is at the will of the Don of the village, Don Salvatore; also a brother, who after losing his job becomes a smuggler bringing in cigarettes. Their stories, in a pacing that may have some wondering when it will end and some wondering if it can go on longer, lead up to a heartbreaking climax for each of them.

I learned shortly after viewing La Terra Trema that Luchino Visconti (I suppose it shouldn’t have been much of a surprise considering the state Italy was in before, during, and after the war) was a lifelong member of the Communist party despite being raised in a wealthy environment in Northern Italy. While I had a feeling there was something about the way Visconti depicted the Volostros and the nature of the people and the village that seemed “for the working man”, but I didn’t really feel that the political intonations were a crutch to the overall execution of the film. Since one of the pin-points of neo-realism is to tell things as simply as they unfold in real life, no matter how downtrodden it can get, the focus of the fishermen versus the wholesalers is made more as a reflection of basic good versus evil, and it can appeal to those who don’t want a strict tale of classes.

Its humanity is what shines through, and that is what should appeal to connoisseurs of neo-realism and Italian filmmaking; while I can’t quite recommend it as much as The Bicycle Thief or Open City, I can recommend it as the first film people should see if they want to know and understand the work of Visconti, his operatic intonations with his players a graceful counterpart to his documentary techniques.