Buck Privates Come Home (1947)

• Year: 1947
• Released: 04 Apr 1947
• Country: United States
• Adwords: N/A
• IMDb: https://www.imdb.com/title/tt0039226/
• Rotten Tomatoes: https://www.rottentomatoes.com/m/buck_privates_come_home
• Metacritics:
• Available in: 720p, 1080p,
• Language: English
• MPA Rating: Approved
• Genre: Action, Comedy, Family
• Runtime: 77 min
• Writer: John Grant, Frederic I. Rinaldo, Robert Lees
• Director: Charles Barton
• Cast: Bud Abbott, Lou Costello, Tom Brown
• Keywords: new york city, army, car race, con man, sequel, slapstick comedy,

	6.8/10
	66% – Critics
	66% – Audience

Buck Privates Come Home Storyline

In this sequel to ‘Buck Privates’, after serving in Europe during World War II, Herbie Brown (Lou Costello) and Slicker Smith (Bud Abbott) return to the United States aboard a troop ship. Also on board is their old boot camp sergeant, Collins (Nat Pendleton). As the ship nears New York, Collins and his superiors search the men’s belongings for contraband. A six-year old French orphan, Evey (Beverly Simmons), whom Herbie and Slicker befriended in France, is found in Herbie’s duffle bag. She is handed over to Lieutenant Sylvia Hunter (Joan Fulton) who delivers her to immigration officials in New York. However, during a shift change at the office, Evey is mistaken for a neighborhood kid and set free.Meanwhile, Herbie and Slicker are back to their pre-war occupation of peddling ties in Times Square. Collins is back at his old job as well, as a police officer assigned to the same beat. He is about to arrest the boys when Evey shows up and helps them escape.Herbie and Slicker attempt to adopt Evey, but are told that one of them must be married and have a steady income. Evey suggests that Herbie marry Sylvia. They show up at her apartment, but learn that Sylvia already has a boyfriend, Bill Gregory (Tom Brown).At one point, Herbie and Slicker purchase what seems to be an ideal home for $750, but the seller doesn’t want to let them see the interior prior to purchase. Before Herbie can get the front door open, the seller gives a signal, and a truck hauls off the façade, revealing that the boys had just purchased a broken down old bus. The two have to fix it up to use as a home.Bill is a midget car racer. He is sure he will win the $20,000 prize at the Gold Cup Stakes, but his car is being held at a local garage until past due bills are paid. Herbie and Slicker use their separation pay and loans from their old service pals to get the car out of hock. Collins, however, has other plans. He had been demoted repeatedly to ever less desirable beats thanks to the boys’ escaping from him. He stakes out the garage in hopes of catching them and returning Evey to the immigration authorities to get himself back in good favor with his boss. He eventually chases them to the track, where Herbie gets in Bill’s race car and leads everyone on a wild chase through the streets of New York.Herbie is eventually caught, but not before the head of an automobile company is impressed enough to order twenty cars and 200 engines. With his financial future secure, Bill can now marry Sylvia and adopt Evey. Slicker and Herbie will be allowed to visit Evey if they get jobs. Collins’ captain suggests that they join the police force, which they do…with Collins as their instructor!

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Buck Privates Come Home Movie Reviews

“We’re Going’ Home, We’re Going’ Home”

We managed to win World War II in the European theater even with the presence of Bud and Lou in the American Army. The boys who enlisted in the army to get away from the cops in Buck Privates and found their nemesis patrolman, Nat Pendleton, as their sergeant are now returning veterans. Only Costello managed to smuggle in little Beverly Simmons, a French war orphan, in his duffel bag. Imagine going across the Atlantic without a change of clothes.

Beverly’s the company mascot and she’s adopted Costello so Bud and Lou are going to adopt her. Of course they run into all kinds of problems with the army, with the police and with immigration. Then again their situations make for the plot of Buck Privates Come Hone.

The original Buck Privates was as much musical as it was burlesque comedy. With the Andrews Sisters, Jane Frazee, there was not one dull moment in this film. For some reason the writers here did not include much of the classic comedy routines. There’s only one here, the famous Left/Right routine with Costello getting all balled up with the word “right.” No musical numbers except the men singing about how they’re going home.

Lots of physical comedy though, depending as much on Nat Pendleton’s reactions as well as Costello’s knack for getting into situations that no one else could possibly. And we can’t forget Donald MacBride who has the best slow burn in films save for Edgar Kennedy.

The climax is Costello’s wild ride in a midget racing car which is well staged. Buck Privates Come Home isn’t quite up to the standard they set in their wartime films, but it’s still pretty funny and should appeal to more than just A&C fans.

Bud and Lou not only come home, they also return to form.

Buck Privates Come Home is directed by Charles Barton and written by John Grant, Frederic I. Rinaldo and Robert Lees. It stars Bud Abbott, Lou Costello, Tom Brown, Nat Pendleton, Joan Fulton and Beverly Simmons. Cinematography is by Charles Van Enger and music by Walter Schuman.

Abbott and Costello star as two GI’s returning from their service who get involved with much malarkey as they try to adopt a six year old orphan who Herbie (Costello) sneaked back in his duffel bag.

The 19th film in the Abbott and Costello series, Buck Privates Come Home is the sequel to Buck Privates from 1941 and evidently it was produced to return the boys to safe commercial ground. It worked and a year later they would pair up with Frankenstein for the first of their much loved films with the Universal Monsters.

Formula is obviously the same as the boys produce high energy slapstick wrapped around a thin plot line. Pace is never less than brisk and with the pair on fine form a number of scenarios score high on the laugh meter. Highlights include sequences involving a time bomb, a sawhorse (come see-saw) table involving food and the customary pie in face gag, Costello in high clothes line peril, some bang-bang at the bank commotion and the finale is a riot as Costello causes chaos behind the wheel of a midget motor car. Pendleton is excellent as the fall guy, first as the army sergeant and later as a New York cop, and Brown and Fulton provide the lovey dovey axis.

Fun and frothy, just how the best A & C films should be. 7.5/10

Underrated A&C and a little more heart than usual.

Not sure why others who have commented on this film seem so lukewarm about it. I think this is a really underrated Abbott and Costello comedy and the script (contrary to what others have said) is actually quite good. It is more subtle than some of their earlier films and actually has a lot of pathos in addition to the comedy. It also has an amazing chase sequence for a finale.

Also– this film does not contain the Susquehanna Hat sequence or the chase footage from “Never Give A Sucker An Even Break” (as is stated in two previous comments). The film they are confusing this with is another Abbott and Costello movie, “In Society.”